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Ian Curtis:
[listening to their recording of "She's Lost Control"]
I sound like Bowie. Tony Wilson:
That's good. You like Bowie. Ian Curtis:
[annoyed]
I hate fuckin' Bowie! In "All The Young Dudes" he sings about how you should die when you're twenty-five. Do you know how old he is? He's thirty, twenty-nine, something. He's a liar. Tony Wilson:
Look, it doesn't matter. A lot of great artists produce their best work when they're... older. You know, W.B. Yeats... Ian Curtis:
I've never heard of him, mate. Tony Wilson:
Yeats is the greatest poet since Dante. If he'd have died when he was twenty-five... Ian Curtis:
I would have heard of him, Tony!
[listening to their recording of "She's Lost Control"]
I sound like Bowie. Tony Wilson:
That's good. You like Bowie. Ian Curtis:
[annoyed]
I hate fuckin' Bowie! In "All The Young Dudes" he sings about how you should die when you're twenty-five. Do you know how old he is? He's thirty, twenty-nine, something. He's a liar. Tony Wilson:
Look, it doesn't matter. A lot of great artists produce their best work when they're... older. You know, W.B. Yeats... Ian Curtis:
I've never heard of him, mate. Tony Wilson:
Yeats is the greatest poet since Dante. If he'd have died when he was twenty-five... Ian Curtis:
I would have heard of him, Tony!
Full Transcript
00:00:01.000 --> 00:00:02.659
I sound like Bowie
00:00:02.953 --> 00:00:05.343
That's good You like Bowie I hate fucking Bowie
00:00:05.417 --> 00:00:08.734
In All The Young Dudes he sings about how you should die at 25
00:00:08.809 --> 00:00:12.355
Do you know how old he is He's 30 29 something He's a liar
00:00:12.424 --> 00:00:15.084
Doesn't matter Many artists produce their best work when they're older
00:00:15.912 --> 00:00:17.124
W B Yeats
00:00:17.193 --> 00:00:20.292
I've never heard of him Yeats is the greatest poet since Dante
00:00:20.036 --> 00:00:23.209
If he'd have died when he was 25 I would have heard of him
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Movie Summary
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

