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He really brought
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A Final Cut for Orson: 40 Years in the Making

He really brought this unique, avant-garde almost,um, music to it

He really brought this unique, avant-garde almost,
um, music to it

Full Transcript

00:00:01.000 --> 00:00:02.167
He really brought
00:00:02.251 --> 00:00:07.172
this unique, avant-garde almost, um, music to it.
Duration
7 seconds
Views
13
Timestamp in Movie
00:28:10
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

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Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
It's a very traditional score, but it's also very cutting edge, - A Final Cut for Orson: 40 Years in the Making 00:09
It's a very traditional score, but it's also very ...
We're here today at Studio Guillaume Tell in the heart of Paris. - A Final Cut for Orson: 40 Years in the Making 00:04
We're here today at Studio Guillaume Tell in the heart ...
In the annotated script, there was mention of jazz, - A Final Cut for Orson: 40 Years in the Making 00:06
In the annotated script, there was mention of jazz,
Jazz is a integral part of Michel Legrand's score. - A Final Cut for Orson: 40 Years in the Making 00:07
Jazz is a integral part of Michel Legrand's score.
A lot of these cues with the three-man trio - A Final Cut for Orson: 40 Years in the Making 00:08
A lot of these cues with the three-man trio
Sound is always important in a movie, - A Final Cut for Orson: 40 Years in the Making 00:05
Sound is always important in a movie,
This is far bigger of a concern than the film. - A Final Cut for Orson: 40 Years in the Making 00:05
This is far bigger of a concern than the film.
This is gonna be one of the first shooting days, that's when they started. - A Final Cut for Orson: 40 Years in the Making 00:05
This is gonna be one of the first shooting days, that's...
A challenge came up in that we realized - A Final Cut for Orson: 40 Years in the Making 00:18
A challenge came up in that we realized
Not having the quarter inch tapes has really been a nightmare for us. - A Final Cut for Orson: 40 Years in the Making 00:10
Not having the quarter inch tapes has really been a nightmar...
We have a normal process here when we make the movies, - A Final Cut for Orson: 40 Years in the Making 00:06
We have a normal process here when we make the movies,
Just go right ahead and talk, Mr. Hannaford. - A Final Cut for Orson: 40 Years in the Making 00:08
Just go right ahead and talk, Mr. Hannaford.
I couldn't track the story because of that. - A Final Cut for Orson: 40 Years in the Making 00:06
I couldn't track the story because of that.
Mr. Hannaford, is the camera eye a reflection of reality? - A Final Cut for Orson: 40 Years in the Making 00:07
Mr. Hannaford, is the camera eye a reflection of reality?
So we had to go and dig very deep with our softwares - A Final Cut for Orson: 40 Years in the Making 00:20
So we had to go and dig very deep with our softwares
You know, what you do in a normal movie is, - A Final Cut for Orson: 40 Years in the Making 00:13
You know, what you do in a normal movie is,
We had Anna Mackenzie, who brought in perfect sound-alikes, - A Final Cut for Orson: 40 Years in the Making 00:16
We had Anna Mackenzie, who brought in perfect sound-alikes,
Danny Huston was really the star of the show when it came to ADR. - A Final Cut for Orson: 40 Years in the Making 00:04
Danny Huston was really the star of the show when it came to...
What was strange was to see my father projected on the screen. - A Final Cut for Orson: 40 Years in the Making 00:06
What was strange was to see my father projected on the scree...
And then, um, say the words. - A Final Cut for Orson: 40 Years in the Making 00:05
And then, um, say the words.