To watch in HD, get ClipCafe PRO
I have to do my work on these really old-fashioned machines
Please log in to add to collections.
A Final Cut for Orson: 40 Years in the Making

I have to do my workon these really old-fashioned machines, but the next step is very...

I have to do my work
on these really old-fashioned machines, but the next step is very high-tech scanning machines

Full Transcript

00:00:01.000 --> 00:00:04.295
I have to do my work on these really old-fashioned machines,
00:00:04.462 --> 00:00:07.089
but the next step is very high-tech
00:00:07.256 --> 00:00:08.341
scanning machines.
Duration
8 seconds
Views
16
Timestamp in Movie
00:10:44
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

Want This Clip in HD?

Upgrade for HD/4K downloads and unlimited access. Upgrade now →

Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
All of the data that we've captured by hand - A Final Cut for Orson: 40 Years in the Making 00:13
All of the data that we've captured by hand
We're kind of the bridge between the film world - A Final Cut for Orson: 40 Years in the Making 00:06
We're kind of the bridge between the film world
These 85 boxes represent - A Final Cut for Orson: 40 Years in the Making 00:31
These 85 boxes represent
So, the workprint here has taken an interesting journey. - A Final Cut for Orson: 40 Years in the Making 00:09
So, the workprint here has taken an interesting journey.
And then from Rome came to L.A., - A Final Cut for Orson: 40 Years in the Making 00:18
And then from Rome came to L.A.,
Orson once told me that the movie was going to be like a painting - A Final Cut for Orson: 40 Years in the Making 00:14
Orson once told me that the movie was going to be like a pai...
And then the frame around the picture - A Final Cut for Orson: 40 Years in the Making 00:06
And then the frame around the picture
And the party would then be shot by all these different cameras and formats, - A Final Cut for Orson: 40 Years in the Making 00:14
And the party would then be shot by all these different came...
Orson said, - A Final Cut for Orson: 40 Years in the Making 00:10
Orson said,
Orson had, himself, edited - A Final Cut for Orson: 40 Years in the Making 00:05
Orson had, himself, edited
How much harm can you do to the third biggest grosser - A Final Cut for Orson: 40 Years in the Making 00:04
How much harm can you do to the third biggest grosser
So, we had an idea from what he'd cut - A Final Cut for Orson: 40 Years in the Making 00:09
So, we had an idea from what he'd cut
The editing was so unique. - A Final Cut for Orson: 40 Years in the Making 00:09
The editing was so unique.
When Peter and I sat down with Bob, we knew - A Final Cut for Orson: 40 Years in the Making 00:09
When Peter and I sat down with Bob, we knew
Get that spook outta here. - A Final Cut for Orson: 40 Years in the Making 00:05
Get that spook outta here.
When I moved to Studio City, I became friends with Gary Graver, - A Final Cut for Orson: 40 Years in the Making 00:07
When I moved to Studio City, I became friends with Gary Grav...
First and foremost, I wanted to work on the movie because Gary was my friend, - A Final Cut for Orson: 40 Years in the Making 00:13
First and foremost, I wanted to work on the movie because Ga...
For me, just getting started, - A Final Cut for Orson: 40 Years in the Making 00:28
For me, just getting started,
Mr. Hannaford? - A Final Cut for Orson: 40 Years in the Making 00:24
Mr. Hannaford?
That is one crazy movie. - A Final Cut for Orson: 40 Years in the Making 00:05
That is one crazy movie.