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It was kind of meant to be
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A Final Cut for Orson: 40 Years in the Making

It was kind of meant to be that it took this long,because now we have the ability to put...

It was kind of meant to be that it took this long,
because now we have the ability to put it all together and make it work

Full Transcript

00:00:01.000 --> 00:00:02.502
It was kind of meant to be
00:00:02.877 --> 00:00:05.839
that it took this long, because now we have the ability
00:00:05.922 --> 00:00:07.924
to put it all together and make it work.
Duration
8 seconds
Views
22
Timestamp in Movie
00:23:32
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

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Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
Orson probably would've finished the movie - A Final Cut for Orson: 40 Years in the Making 00:14
Orson probably would've finished the movie
We're working with ILM on a visual effects element shoot. - A Final Cut for Orson: 40 Years in the Making 00:04
We're working with ILM on a visual effects element shoo...
These are shots that Orson didn't get a chance to shoot. - A Final Cut for Orson: 40 Years in the Making 00:23
These are shots that Orson didn't get a chance to shoot...
When do I get a chance to collaborate with Orson Welles?" - A Final Cut for Orson: 40 Years in the Making 00:28
When do I get a chance to collaborate with Orson Welles?&quo...
Thank you very much. Do we have that? - A Final Cut for Orson: 40 Years in the Making 00:14
Thank you very much. Do we have that?
The first person who was brought up was Michel Legrand. - A Final Cut for Orson: 40 Years in the Making 00:11
The first person who was brought up was Michel Legrand.
He'd just gotten off the plane from Paris, and he wanted to come in - A Final Cut for Orson: 40 Years in the Making 00:06
He'd just gotten off the plane from Paris, and he wante...
To have music everywhere in the movie, - A Final Cut for Orson: 40 Years in the Making 00:09
To have music everywhere in the movie,
We're in Malmedy, Belgium, just outside of Brussels. - A Final Cut for Orson: 40 Years in the Making 00:09
We're in Malmedy, Belgium, just outside of Brussels.
This process has been somewhat unorthodox for us. - A Final Cut for Orson: 40 Years in the Making 00:11
This process has been somewhat unorthodox for us.
This score is super important, - A Final Cut for Orson: 40 Years in the Making 00:08
This score is super important,
He really got the film within the film - A Final Cut for Orson: 40 Years in the Making 00:08
He really got the film within the film
He really brought - A Final Cut for Orson: 40 Years in the Making 00:07
He really brought
It's a very traditional score, but it's also very cutting edge, - A Final Cut for Orson: 40 Years in the Making 00:09
It's a very traditional score, but it's also very ...
We're here today at Studio Guillaume Tell in the heart of Paris. - A Final Cut for Orson: 40 Years in the Making 00:04
We're here today at Studio Guillaume Tell in the heart ...
In the annotated script, there was mention of jazz, - A Final Cut for Orson: 40 Years in the Making 00:06
In the annotated script, there was mention of jazz,
Jazz is a integral part of Michel Legrand's score. - A Final Cut for Orson: 40 Years in the Making 00:07
Jazz is a integral part of Michel Legrand's score.
A lot of these cues with the three-man trio - A Final Cut for Orson: 40 Years in the Making 00:08
A lot of these cues with the three-man trio
Sound is always important in a movie, - A Final Cut for Orson: 40 Years in the Making 00:05
Sound is always important in a movie,
This is far bigger of a concern than the film. - A Final Cut for Orson: 40 Years in the Making 00:05
This is far bigger of a concern than the film.