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Once we had an assembly
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A Final Cut for Orson: 40 Years in the Making

Once we had an assembly, I believe it was just shy of three hours, we needed to, at that...

Once we had an assembly, I believe it was just shy of three hours, we needed to, at that point,
reference that back to over one hundred hours
of original negative scans. We were so lucky to find Video Gorillas

Full Transcript

00:00:01.000 --> 00:00:02.752
Once we had an assembly,
00:00:02.835 --> 00:00:05.755
I believe it was just shy of three hours,
00:00:05.838 --> 00:00:08.675
we needed to, at that point, reference that back
00:00:08.758 --> 00:00:12.262
to over one hundred hours of original negative scans.
00:00:14.222 --> 00:00:16.391
We were so lucky to find Video Gorillas.
Duration
16 seconds
Views
25
Timestamp in Movie
00:21:30
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

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Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
We're really a kind of virtual technology company, - A Final Cut for Orson: 40 Years in the Making 00:07
We're really a kind of virtual technology company,
Computer vision basically is artificial intelligence - A Final Cut for Orson: 40 Years in the Making 00:41
Computer vision basically is artificial intelligence
It was something that actually forced us to innovate. - A Final Cut for Orson: 40 Years in the Making 00:16
It was something that actually forced us to innovate.
On average, we were comparing 12 million frames, per second. - A Final Cut for Orson: 40 Years in the Making 00:14
On average, we were comparing 12 million frames, per second.
We often wondered how Orson, you know, could have finished this film. - A Final Cut for Orson: 40 Years in the Making 00:05
We often wondered how Orson, you know, could have finished t...
In a way, technology has caught up with the movie, - A Final Cut for Orson: 40 Years in the Making 00:14
In a way, technology has caught up with the movie,
It was kind of meant to be - A Final Cut for Orson: 40 Years in the Making 00:08
It was kind of meant to be
Orson probably would've finished the movie - A Final Cut for Orson: 40 Years in the Making 00:14
Orson probably would've finished the movie
We're working with ILM on a visual effects element shoot. - A Final Cut for Orson: 40 Years in the Making 00:04
We're working with ILM on a visual effects element shoo...
These are shots that Orson didn't get a chance to shoot. - A Final Cut for Orson: 40 Years in the Making 00:23
These are shots that Orson didn't get a chance to shoot...
When do I get a chance to collaborate with Orson Welles?" - A Final Cut for Orson: 40 Years in the Making 00:28
When do I get a chance to collaborate with Orson Welles?&quo...
Thank you very much. Do we have that? - A Final Cut for Orson: 40 Years in the Making 00:14
Thank you very much. Do we have that?
The first person who was brought up was Michel Legrand. - A Final Cut for Orson: 40 Years in the Making 00:11
The first person who was brought up was Michel Legrand.
He'd just gotten off the plane from Paris, and he wanted to come in - A Final Cut for Orson: 40 Years in the Making 00:06
He'd just gotten off the plane from Paris, and he wante...
To have music everywhere in the movie, - A Final Cut for Orson: 40 Years in the Making 00:09
To have music everywhere in the movie,
We're in Malmedy, Belgium, just outside of Brussels. - A Final Cut for Orson: 40 Years in the Making 00:09
We're in Malmedy, Belgium, just outside of Brussels.
This process has been somewhat unorthodox for us. - A Final Cut for Orson: 40 Years in the Making 00:11
This process has been somewhat unorthodox for us.
This score is super important, - A Final Cut for Orson: 40 Years in the Making 00:08
This score is super important,
He really got the film within the film - A Final Cut for Orson: 40 Years in the Making 00:08
He really got the film within the film
He really brought - A Final Cut for Orson: 40 Years in the Making 00:07
He really brought