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A Final Cut for Orson: 40 Years in the Making

This is a quarter inch full-track. Uh, it was originally recorded on a Nagra. The sound...

This is a quarter inch full-track. Uh, it was originally recorded on a Nagra. The sound rolls consist
of the daily production sound that were recorded each day.
That's why they call them dailies

Full Transcript

00:00:01.000 --> 00:00:03.378
This is a quarter inch full-track.
00:00:03.878 --> 00:00:06.422
Uh, it was originally recorded on a Nagra.
00:00:06.506 --> 00:00:09.055
The sound rolls consist of the daily production sound
00:00:09.675 --> 00:00:12.678
that were recorded each day. That's why they call them dailies.
Duration
13 seconds
Views
22
Timestamp in Movie
00:20:11
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

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Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
Dawn, take six. - A Final Cut for Orson: 40 Years in the Making 00:05
Dawn, take six.
Action! - A Final Cut for Orson: 40 Years in the Making 00:30
Action!
You pronounced it too carefully. - A Final Cut for Orson: 40 Years in the Making 00:14
You pronounced it too carefully.
Don't move your head or anything. Just let it come out of you. - A Final Cut for Orson: 40 Years in the Making 00:06
Don't move your head or anything. Just let it come out ...
Many happy returns. - A Final Cut for Orson: 40 Years in the Making 00:08
Many happy returns.
Once we had an assembly, - A Final Cut for Orson: 40 Years in the Making 00:16
Once we had an assembly,
We're really a kind of virtual technology company, - A Final Cut for Orson: 40 Years in the Making 00:07
We're really a kind of virtual technology company,
Computer vision basically is artificial intelligence - A Final Cut for Orson: 40 Years in the Making 00:41
Computer vision basically is artificial intelligence
It was something that actually forced us to innovate. - A Final Cut for Orson: 40 Years in the Making 00:16
It was something that actually forced us to innovate.
On average, we were comparing 12 million frames, per second. - A Final Cut for Orson: 40 Years in the Making 00:14
On average, we were comparing 12 million frames, per second.
We often wondered how Orson, you know, could have finished this film. - A Final Cut for Orson: 40 Years in the Making 00:05
We often wondered how Orson, you know, could have finished t...
In a way, technology has caught up with the movie, - A Final Cut for Orson: 40 Years in the Making 00:14
In a way, technology has caught up with the movie,
It was kind of meant to be - A Final Cut for Orson: 40 Years in the Making 00:08
It was kind of meant to be
Orson probably would've finished the movie - A Final Cut for Orson: 40 Years in the Making 00:14
Orson probably would've finished the movie
We're working with ILM on a visual effects element shoot. - A Final Cut for Orson: 40 Years in the Making 00:04
We're working with ILM on a visual effects element shoo...
These are shots that Orson didn't get a chance to shoot. - A Final Cut for Orson: 40 Years in the Making 00:23
These are shots that Orson didn't get a chance to shoot...
When do I get a chance to collaborate with Orson Welles?" - A Final Cut for Orson: 40 Years in the Making 00:28
When do I get a chance to collaborate with Orson Welles?&quo...
Thank you very much. Do we have that? - A Final Cut for Orson: 40 Years in the Making 00:14
Thank you very much. Do we have that?
The first person who was brought up was Michel Legrand. - A Final Cut for Orson: 40 Years in the Making 00:11
The first person who was brought up was Michel Legrand.
He'd just gotten off the plane from Paris, and he wanted to come in - A Final Cut for Orson: 40 Years in the Making 00:06
He'd just gotten off the plane from Paris, and he wante...