This is its own animal. It's differentfrom anything else I've worked on. It's a...
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This is its own animal. It's different
from anything else I've worked on. It's a combination
of many kinds of film stocks. 35, 16 mm... lots of different items, so we're learning as we go. The other day I was going through
a magnifying glass on this tiny film and I saw Orson holding the slate with his cigar in his mouth, and it was really exciting to see.
I was really jazzed about it. Bus studio, scene 58, take two
from anything else I've worked on. It's a combination
of many kinds of film stocks. 35, 16 mm... lots of different items, so we're learning as we go. The other day I was going through
a magnifying glass on this tiny film and I saw Orson holding the slate with his cigar in his mouth, and it was really exciting to see.
I was really jazzed about it. Bus studio, scene 58, take two
Full Transcript
00:00:01.000 --> 00:00:04.087
This is its own animal. It's different
from anything else I've worked on.
00:00:04.754 --> 00:00:07.757
It's a combination
of many kinds of film stocks.
00:00:10.176 --> 00:00:12.136
35, 16 mm...
00:00:12.345 --> 00:00:13.471
lots of different items,
00:00:13.554 --> 00:00:15.999
so we're learning as we go.
00:00:16.682 --> 00:00:20.103
The other day I was going through
a magnifying glass on this tiny film
00:00:20.394 --> 00:00:22.271
and I saw Orson holding the slate
00:00:22.605 --> 00:00:24.148
with his cigar in his mouth,
00:00:24.232 --> 00:00:27.318
and it was really exciting to see.
I was really jazzed about it.
00:00:27.777 --> 00:00:30.029
Bus studio, scene 58, take two.
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Movie Summary
A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
