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This process has been somewhat unorthodox for us
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A Final Cut for Orson: 40 Years in the Making

This process has beensomewhat unorthodox for us. Michel's been writingfor the past few...

This process has been
somewhat unorthodox for us. Michel's been writing
for the past few months, and this is the very first time
we're hearing any of the music he's written

Full Transcript

00:00:01.000 --> 00:00:03.711
This process has been somewhat unorthodox for us.
00:00:03.836 --> 00:00:06.505
Michel's been writing for the past few months,
00:00:06.063 --> 00:00:09.383
and this is the very first time we're hearing
00:00:09.717 --> 00:00:10.801
any of the music he's written.
Duration
11 seconds
Views
18
Timestamp in Movie
00:27:11
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

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Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
This score is super important, - A Final Cut for Orson: 40 Years in the Making 00:08
This score is super important,
He really got the film within the film - A Final Cut for Orson: 40 Years in the Making 00:08
He really got the film within the film
He really brought - A Final Cut for Orson: 40 Years in the Making 00:07
He really brought
It's a very traditional score, but it's also very cutting edge, - A Final Cut for Orson: 40 Years in the Making 00:09
It's a very traditional score, but it's also very ...
We're here today at Studio Guillaume Tell in the heart of Paris. - A Final Cut for Orson: 40 Years in the Making 00:04
We're here today at Studio Guillaume Tell in the heart ...
In the annotated script, there was mention of jazz, - A Final Cut for Orson: 40 Years in the Making 00:06
In the annotated script, there was mention of jazz,
Jazz is a integral part of Michel Legrand's score. - A Final Cut for Orson: 40 Years in the Making 00:07
Jazz is a integral part of Michel Legrand's score.
A lot of these cues with the three-man trio - A Final Cut for Orson: 40 Years in the Making 00:08
A lot of these cues with the three-man trio
Sound is always important in a movie, - A Final Cut for Orson: 40 Years in the Making 00:05
Sound is always important in a movie,
This is far bigger of a concern than the film. - A Final Cut for Orson: 40 Years in the Making 00:05
This is far bigger of a concern than the film.
This is gonna be one of the first shooting days, that's when they started. - A Final Cut for Orson: 40 Years in the Making 00:05
This is gonna be one of the first shooting days, that's...
A challenge came up in that we realized - A Final Cut for Orson: 40 Years in the Making 00:18
A challenge came up in that we realized
Not having the quarter inch tapes has really been a nightmare for us. - A Final Cut for Orson: 40 Years in the Making 00:10
Not having the quarter inch tapes has really been a nightmar...
We have a normal process here when we make the movies, - A Final Cut for Orson: 40 Years in the Making 00:06
We have a normal process here when we make the movies,
Just go right ahead and talk, Mr. Hannaford. - A Final Cut for Orson: 40 Years in the Making 00:08
Just go right ahead and talk, Mr. Hannaford.
I couldn't track the story because of that. - A Final Cut for Orson: 40 Years in the Making 00:06
I couldn't track the story because of that.
Mr. Hannaford, is the camera eye a reflection of reality? - A Final Cut for Orson: 40 Years in the Making 00:07
Mr. Hannaford, is the camera eye a reflection of reality?
So we had to go and dig very deep with our softwares - A Final Cut for Orson: 40 Years in the Making 00:20
So we had to go and dig very deep with our softwares
You know, what you do in a normal movie is, - A Final Cut for Orson: 40 Years in the Making 00:13
You know, what you do in a normal movie is,
We had Anna Mackenzie, who brought in perfect sound-alikes, - A Final Cut for Orson: 40 Years in the Making 00:16
We had Anna Mackenzie, who brought in perfect sound-alikes,