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A Final Cut for Orson: 40 Years in the Making

This score is super important, because it'll sort ofglue the movie together and give it a...

This score is super important, because it'll sort of
glue the movie together and give it a little
more of a through line

Full Transcript

00:00:01.000 --> 00:00:02.377
This score is super important,
00:00:02.046 --> 00:00:04.963
because it'll sort of glue the movie together
00:00:05.171 --> 00:00:07.924
and give it a little more of a through line.
Duration
8 seconds
Views
18
Timestamp in Movie
00:27:27
Uploaded
Jun 26, 2025
Genres
documentary, short
Production
Royal Road Entertainment,The Kennedy/Marshall Company

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Movie Summary

A glimpse behind the scenes into the complicated process of recovering and completing the final film of legendary director Orson Welles.
He really got the film within the film - A Final Cut for Orson: 40 Years in the Making 00:08
He really got the film within the film
He really brought - A Final Cut for Orson: 40 Years in the Making 00:07
He really brought
It's a very traditional score, but it's also very cutting edge, - A Final Cut for Orson: 40 Years in the Making 00:09
It's a very traditional score, but it's also very ...
We're here today at Studio Guillaume Tell in the heart of Paris. - A Final Cut for Orson: 40 Years in the Making 00:04
We're here today at Studio Guillaume Tell in the heart ...
In the annotated script, there was mention of jazz, - A Final Cut for Orson: 40 Years in the Making 00:06
In the annotated script, there was mention of jazz,
Jazz is a integral part of Michel Legrand's score. - A Final Cut for Orson: 40 Years in the Making 00:07
Jazz is a integral part of Michel Legrand's score.
A lot of these cues with the three-man trio - A Final Cut for Orson: 40 Years in the Making 00:08
A lot of these cues with the three-man trio
Sound is always important in a movie, - A Final Cut for Orson: 40 Years in the Making 00:05
Sound is always important in a movie,
This is far bigger of a concern than the film. - A Final Cut for Orson: 40 Years in the Making 00:05
This is far bigger of a concern than the film.
This is gonna be one of the first shooting days, that's when they started. - A Final Cut for Orson: 40 Years in the Making 00:05
This is gonna be one of the first shooting days, that's...
A challenge came up in that we realized - A Final Cut for Orson: 40 Years in the Making 00:18
A challenge came up in that we realized
Not having the quarter inch tapes has really been a nightmare for us. - A Final Cut for Orson: 40 Years in the Making 00:10
Not having the quarter inch tapes has really been a nightmar...
We have a normal process here when we make the movies, - A Final Cut for Orson: 40 Years in the Making 00:06
We have a normal process here when we make the movies,
Just go right ahead and talk, Mr. Hannaford. - A Final Cut for Orson: 40 Years in the Making 00:08
Just go right ahead and talk, Mr. Hannaford.
I couldn't track the story because of that. - A Final Cut for Orson: 40 Years in the Making 00:06
I couldn't track the story because of that.
Mr. Hannaford, is the camera eye a reflection of reality? - A Final Cut for Orson: 40 Years in the Making 00:07
Mr. Hannaford, is the camera eye a reflection of reality?
So we had to go and dig very deep with our softwares - A Final Cut for Orson: 40 Years in the Making 00:20
So we had to go and dig very deep with our softwares
You know, what you do in a normal movie is, - A Final Cut for Orson: 40 Years in the Making 00:13
You know, what you do in a normal movie is,
We had Anna Mackenzie, who brought in perfect sound-alikes, - A Final Cut for Orson: 40 Years in the Making 00:16
We had Anna Mackenzie, who brought in perfect sound-alikes,
Danny Huston was really the star of the show when it came to ADR. - A Final Cut for Orson: 40 Years in the Making 00:04
Danny Huston was really the star of the show when it came to...