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In addition to his hand-held camera
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All the Colors of Giallo

In addition to his hand-heldcamera, we know it's a Martino filmby the visuals, and that...

In addition to his hand-held
camera, we know it's a Martino film
by the visuals, and that specific mise-en
scene that defines his style

Full Transcript

00:00:01.000 --> 00:00:02.071
In addition to his hand-held camera,
00:00:03.998 --> 00:00:07.924
we know it's a Martino film by the visuals, and
00:00:08.258 --> 00:00:13.054
that specific mise-en scene that defines his style.
Duration
13 seconds
Views
27
Timestamp in Movie
01:19:42
Uploaded
Jun 19, 2025
Genres
documentary, horror
Production
N/A

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Movie Summary

A celebration of the genre with interviews by many contributors - a gialli filmmakers.
This framing allows his giallo audience - All the Colors of Giallo 00:11
This framing allows his giallo audience
Martino, like Dario Argento, doesn't offer his viewers - All the Colors of Giallo 00:06
Martino, like Dario Argento, doesn't offer his viewers
In his films, as with Guerrieri's - All the Colors of Giallo 00:15
In his films, as with Guerrieri's
It's like saying that anyone could be the killer, - All the Colors of Giallo 00:07
It's like saying that anyone could be the killer,
A university professor or a woman are - All the Colors of Giallo 00:09
A university professor or a woman are
These elements tear at the fabric of social convention. - All the Colors of Giallo 00:06
These elements tear at the fabric of social convention.
There's not an anthropological or sociological - All the Colors of Giallo 00:07
There's not an anthropological or sociological
These giallos are detached from reality, and detached - All the Colors of Giallo 00:14
These giallos are detached from reality, and detached
One of the most important Italian giallo directors - All the Colors of Giallo 00:07
One of the most important Italian giallo directors
His first films were aimed at an international audience, - All the Colors of Giallo 00:16
His first films were aimed at an international audience,
Lenzi's actors were often real international stars - All the Colors of Giallo 00:15
Lenzi's actors were often real international stars
With SO SWEET... SO PERVERSE, Lenzi created - All the Colors of Giallo 00:08
With SO SWEET... SO PERVERSE, Lenzi created
These were giallos that were set in the milieu - All the Colors of Giallo 00:10
These were giallos that were set in the milieu
These films are often characterized by a certain - All the Colors of Giallo 00:07
These films are often characterized by a certain
An obvious example is the way that Carroll Baker played - All the Colors of Giallo 00:08
An obvious example is the way that Carroll Baker played
After SO SWEET... SO PERVERSE, Lenzi made a series - All the Colors of Giallo 00:16
After SO SWEET... SO PERVERSE, Lenzi made a series
Then Lenzi made a more Argentian giallo with EYEBALL. - All the Colors of Giallo 00:06
Then Lenzi made a more Argentian giallo with EYEBALL.
He was a great director, who was never afraid to experiment - All the Colors of Giallo 00:08
He was a great director, who was never afraid to experiment
I've always been an avid reader of giallo literature. - All the Colors of Giallo 00:04
I've always been an avid reader of giallo literature.
I particularly love Georges Simenon, - All the Colors of Giallo 00:08
I particularly love Georges Simenon,