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In EROS PERVERSION, the real enigma is within
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All the Colors of Giallo

In EROS PERVERSION, the realenigma is within the protagonists and wesee it by what they...

In EROS PERVERSION, the real
enigma is within the protagonists and we
see it by what they do, by their attitudes and
their psychological gestures

Full Transcript

00:00:01.000 --> 00:00:03.711
In EROS PERVERSION, the real enigma is within
00:00:04.001 --> 00:00:08.999
the protagonists and we see it by what they do,
00:00:08.466 --> 00:00:13.596
by their attitudes and their psychological gestures.
Duration
14 seconds
Views
25
Timestamp in Movie
00:42:16
Uploaded
Jun 19, 2025
Genres
documentary, horror
Production
N/A

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Movie Summary

A celebration of the genre with interviews by many contributors - a gialli filmmakers.
After ONE ON TOP OF THE OTHER, Lucio Fulci made - All the Colors of Giallo 00:07
After ONE ON TOP OF THE OTHER, Lucio Fulci made
His giallos were, indeed, quite different from each other. - All the Colors of Giallo 00:05
His giallos were, indeed, quite different from each other.
For instance, A LIZARD IN A WOMAN'S SKIN was very dreamlike. - All the Colors of Giallo 00:06
For instance, A LIZARD IN A WOMAN'S SKIN was very dream...
Whereas, DON'T TORTURE A DUCKLING was very realistic. - All the Colors of Giallo 00:05
Whereas, DON'T TORTURE A DUCKLING was very realistic.
Starting with the setting, deep in southern Italy. - All the Colors of Giallo 00:04
Starting with the setting, deep in southern Italy.
In A LIZARD IN A WOMAN'S SKIN we have a female lead, - All the Colors of Giallo 00:09
In A LIZARD IN A WOMAN'S SKIN we have a female lead,
We often have a number of important female characters - All the Colors of Giallo 00:06
We often have a number of important female characters
Naturally, female characters in giallos are often - All the Colors of Giallo 00:10
Naturally, female characters in giallos are often
The success of my previous giallo allowed me - All the Colors of Giallo 00:07
The success of my previous giallo allowed me
Amati trusted me to do the film. - All the Colors of Giallo 00:04
Amati trusted me to do the film.
Argento had already done what were perhaps his best giallos - All the Colors of Giallo 00:12
Argento had already done what were perhaps his best giallos
LIZARD wasn't a hit. If I made eight million in a theater, - All the Colors of Giallo 00:05
LIZARD wasn't a hit. If I made eight million in a theat...
It was still good and, back then the industry - All the Colors of Giallo 00:05
It was still good and, back then the industry
DON'T TORTURE A DUCKLING is more of a psychoanalytic film. - All the Colors of Giallo 00:07
DON'T TORTURE A DUCKLING is more of a psychoanalytic fi...
After all, the murderer repressing his guilt - All the Colors of Giallo 00:08
After all, the murderer repressing his guilt
It was an attempt to create a giallo in a rural setting. - All the Colors of Giallo 00:07
It was an attempt to create a giallo in a rural setting.
I told a similar theme in my best film, - All the Colors of Giallo 00:07
I told a similar theme in my best film,
Nobody remembers it, it's not even on VHS. - All the Colors of Giallo 00:05
Nobody remembers it, it's not even on VHS.
Anyway, in THE CONSPIRACY OF TORTURE, I showed - All the Colors of Giallo 00:10
Anyway, in THE CONSPIRACY OF TORTURE, I showed
In DUCKLING, the priest kills the kids because - All the Colors of Giallo 00:06
In DUCKLING, the priest kills the kids because