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Salieri But whyWhy would god choose an obscene child to be his instrumentIt was not to be believedThis piece had to be an accident It had to beIt better be

But why? Why would God choose an obscene child to be His instrument? It was not to be...

Amadeus • 1984

Antonio Salieri:
But why? Why would God choose an obscene child to be His instrument? It was not to be believed! This piece had to be an accident. It had to be!... It better be!

Full Transcript

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Salieri But why

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Why would god choose an obscene child to be his instrument

00:00:09.991 --> 00:00:11.261

It was not to be believed

00:00:11.427 --> 00:00:16.099

This piece had to be an accident It had to be

00:00:20.027 --> 00:00:21.896

It better be

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لكن لماذا

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لماذا إختار الرب هذا الولد الفاحش بأن يكون أداة له

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لا يمكن تصديق ذلك

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لابدأن هذه المقطوعه قد ألفها مصادفة لابد أنها كذلك

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الافضل أن تكون كذلك

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Pourquoi

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Pourquoi Dieu choisirait il un enfant obscène comme instrument

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C'était à ne pas croire

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Ce morceau devait être né du hasard Il le fallait bien

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Il valait mieux

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De miért

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Miért választott volna Isten hangszeréül egy ilyen obszcén gyereket

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Hihetetlen volt

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Ez csak egy fatális véletlen következménye lehetett Annak kellett lennie

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Remélem hogy az volt

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Pero por qué

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Por qué elegiría Dios un joven obsceno como su instrumento

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Es excepcional

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Esa obra tenía que ser una casualidad Tenía que ser así

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Esperaba que fuera así

Available in 8 languages

Duration

23 seconds

Views

3,675

Timestamp in Movie

00:24:13

Uploaded

Mar 10, 2026

Genres

history, music, drama

Production

The Saul Zaentz Company

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Movie Summary

Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

Actors

Antonio Salieri

F. Murray Abraham