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Actually, I wanted the dream sequences
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Art on the BBC

Actually, I wanted the dreamsequences to be shot on the back lot, not inthe studio at all....

Actually, I wanted the dream
sequences to be shot on the back lot, not in
the studio at all. I wanted them shot in the bright
sunshine so the cameraman would be forced
to... what we call stop down and get a very hard image. This was, again, the avoidance
of the cliche. All dreams in movies are blurred. It isn't true. Dali was the best man for me
to do the dreams because that's what dreams should
be

Full Transcript

00:00:01.000 --> 00:00:03.084
Actually, I wanted the dream sequences
00:00:03.084 --> 00:00:07.024
to be shot on the back lot, not in the studio at all.
00:00:07.024 --> 00:00:09.088
I wanted them shot in the bright sunshine
00:00:09.088 --> 00:00:13.096
so the cameraman would be forced to... what we call stop down
00:00:13.096 --> 00:00:15.088
and get a very hard image.
00:00:15.088 --> 00:00:18.084
This was, again, the avoidance of the cliche.
00:00:18.084 --> 00:00:20.088
All dreams in movies are blurred.
00:00:20.088 --> 00:00:22.088
It isn't true.
00:00:22.088 --> 00:00:25.998
Dali was the best man for me to do the dreams
00:00:25.998 --> 00:00:27.052
because that's what dreams should be.
Duration
28 seconds
Views
51
Timestamp in Movie
00:38:09
Uploaded
Jun 10, 2025
Season
2
Episode
1
Genres

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Movie Summary

Four young British art historians delve into six decades of the BBC archives to discover the powerful way in which television influences our understanding of the world's greatest artists.