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BBC Two was in colour
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Art on the BBC

BBC Two was in colour. It was the first all-colour channel. And Attenborough, in...

BBC Two was in colour. It was the first all-colour channel. And Attenborough, in fact,
realised that, you know, art would be a wonderful thing
to put on colour television. Wonderful genius of David
Attenborough to see that

Full Transcript

00:00:01.000 --> 00:00:02.008
BBC Two was in colour.
00:00:02.008 --> 00:00:04.084
It was the first all-colour channel.
00:00:04.084 --> 00:00:08.048
And Attenborough, in fact, realised that, you know,
00:00:08.048 --> 00:00:11.048
art would be a wonderful thing to put on colour television.
00:00:11.048 --> 00:00:14.048
Wonderful genius of David Attenborough to see that.
Duration
14 seconds
Views
22
Timestamp in Movie
00:13:57
Uploaded
Jun 10, 2025
Season
2
Episode
4
Genres
documentary

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Movie Summary

Four young British art historians delve into six decades of the BBC archives to discover the powerful way in which television influences our understanding of the world's greatest artists.
S02 • E01 They tried to make their film a collage of dreamlike images - Art on the BBC 00:59
They tried to make their film a collage of dreamlike images
S02 • E03 I say we start a fire. - Art on the BBC 00:55
I say we start a fire.
S02 • E04 I don't suppose that Turner was conscious of his - Art on the BBC 00:16
I don't suppose that Turner was conscious of his
S02 • E04 But fast forward to 1996, - Art on the BBC 00:15
But fast forward to 1996,
S02 • E04 Turner belonged to the Romantic movement that was sweeping - Art on the BBC 00:06
Turner belonged to the Romantic movement that was sweeping
S02 • E04 The Romantics celebrated the elemental forces of nature. - Art on the BBC 00:05
The Romantics celebrated the elemental forces of nature.
S02 • E04 And, if nature was out of control, so were emotions. - Art on the BBC 00:21
And, if nature was out of control, so were emotions.
S02 • E04 Painted in 1812, when Turner was 37, - Art on the BBC 00:17
Painted in 1812, when Turner was 37,
S02 • E02 The light in the South of France was at least as strong an influence - Art on the BBC 00:57
The light in the South of France was at least as strong an i...
S02 • E04 He painted the sea in all its moods. - Art on the BBC 00:14
He painted the sea in all its moods.
S02 • E04 Turner had a new idea of what painting was for. - Art on the BBC 00:21
Turner had a new idea of what painting was for.
S02 • E04 I suspect this is everyone's favourite story about Turner, - Art on the BBC 00:31
I suspect this is everyone's favourite story about Turn...
S02 • E04 He set sail from the port of Harwich on a boat called the Ariel, - Art on the BBC 00:07
He set sail from the port of Harwich on a boat called the Ar...
S02 • E04 And then, he asked the sailors to lash him to the mast - Art on the BBC 00:25
And then, he asked the sailors to lash him to the mast
S02 • E04 And our next presenter on a boat is not an art historian, - Art on the BBC 00:11
And our next presenter on a boat is not an art historian,
S02 • E03 How do you do? Monsieur, I am the artist, Claude Monet. - Art on the BBC 00:36
How do you do? Monsieur, I am the artist, Claude Monet.
S02 • E01 Whether Dali's inspiration was cheese-based or not, - Art on the BBC 00:33
Whether Dali's inspiration was cheese-based or not,
S02 • E04 But what about Turner's character? - Art on the BBC 00:42
But what about Turner's character?
S02 • E04 Constable was indignant. - Art on the BBC 00:13
Constable was indignant.
S02 • E04 But, if Turner abandoned her, could there have been, I wonder, - Art on the BBC 00:18
But, if Turner abandoned her, could there have been, I wonde...