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I'm Leslie Primo.
I'm an art historian and lecturer, and I've always admired Turner
not only for his outstanding art, but because he was an outsider
who defied convention and changed the course of art history. I've come to the Royal Academy's
beautiful Life Drawing room to find out how, over the decades,
BBC film-makers have got to grips with Britain's most famous artist
I'm an art historian and lecturer, and I've always admired Turner
not only for his outstanding art, but because he was an outsider
who defied convention and changed the course of art history. I've come to the Royal Academy's
beautiful Life Drawing room to find out how, over the decades,
BBC film-makers have got to grips with Britain's most famous artist
Full Transcript
00:00:01.000 --> 00:00:04.016
I'm Leslie Primo.
I'm an art historian and lecturer,
00:00:04.016 --> 00:00:08.999
and I've always admired Turner
not only for his outstanding art,
00:00:08.999 --> 00:00:12.032
but because he was an outsider
who defied convention and changed
00:00:12.032 --> 00:00:14.008
the course of art history.
00:00:14.008 --> 00:00:18.998
I've come to the Royal Academy's
beautiful Life Drawing room to
00:00:18.998 --> 00:00:22.036
find out how, over the decades,
BBC film-makers have got to grips
00:00:22.036 --> 00:00:24.002
with Britain's most famous artist.
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Movie Summary
Four young British art historians delve into six decades of the BBC archives to discover the powerful way in which television influences our understanding of the world's greatest artists.