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I mean, how many composers would
have thought of turning the accompaniment, the repeated
chords, at least the top line of those repeated chords,
into the subject of a fugue, as he does in the penultimate
variation? So, in the waltz, you have... HE PLAYS WALTZ HE REPEATS NOTE And, of course, the theme in the
fugue is... HE REPEATS HIGHER NOTE
have thought of turning the accompaniment, the repeated
chords, at least the top line of those repeated chords,
into the subject of a fugue, as he does in the penultimate
variation? So, in the waltz, you have... HE PLAYS WALTZ HE REPEATS NOTE And, of course, the theme in the
fugue is... HE REPEATS HIGHER NOTE
Full Transcript
00:00:01.000 --> 00:00:03.084
I mean, how many composers would
have thought of turning
00:00:03.084 --> 00:00:06.072
the accompaniment, the repeated
chords, at least the top line
00:00:06.072 --> 00:00:11.002
of those repeated chords,
into the subject of a fugue,
00:00:11.002 --> 00:00:12.084
as he does in the penultimate
variation?
00:00:12.084 --> 00:00:14.006
So, in the waltz, you have...
00:00:14.006 --> 00:00:17.044
HE PLAYS WALTZ
00:00:17.044 --> 00:00:19.016
HE REPEATS NOTE
00:00:19.016 --> 00:00:21.024
And, of course, the theme in the
fugue is...
00:00:21.024 --> 00:00:23.024
HE REPEATS HIGHER NOTE
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Movie Summary
Marking the 250th anniversary of Beethoven's birth in 1770, a documentary series that focuses on the real, complex and often difficult man behind the great composer.