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How many more of these are in the back?

How many more of theseare in the back? -I don't know. Maybe 3,000 or so.-Does the printer...

Big Eyes • 2014

How many more of theseare in the back? -I don't know. Maybe 3,000 or so.-Does the printer owe us more? Excuse me, miss.How much is this painting? -Go! What do I pay you for?-Yes, Mr. Keane. Sorry about that

Full Transcript

00:00:01.000 --> 00:00:02.024

How many more of these are in the back

00:00:02.052 --> 00:00:06.004

I don't know Maybe 3 000 or so Does the printer owe us more

00:00:06.016 --> 00:00:07.064

Excuse me miss How much is this painting

00:00:07.008 --> 00:00:10.056

Go What do I pay you for Yes Mr Keane

00:00:11.048 --> 00:00:12.072

Sorry about that

00:00:01.000 --> 00:00:02.784

Сколько ещё их осталось

00:00:02.088 --> 00:00:06.601

Не знаю Может 3 тысяч или около того Типограф должен нам ещё

00:00:06.697 --> 00:00:08.769

Простите мисс Сколько стоит эта картина

00:00:08.865 --> 00:00:12.221

Иди За что я тебе плачу Да мистер Кин

00:00:01.000 --> 00:00:02.745

Cuántas más de estas hay en el fondo

00:00:02.888 --> 00:00:06.074

No sé Unas 3 000 más o menos Nos debe más la imprenta

00:00:06.216 --> 00:00:08.856

Disculpe señorita Cuánto cuesta este cuadro

00:00:09.000 --> 00:00:12.219

Ve Para qué te pago Sí Sr Keane

00:00:12.361 --> 00:00:13.976

Disculpe

00:00:01.000 --> 00:00:03.004

Arkada bunlardan kaç tane var

00:00:03.016 --> 00:00:05.076

Bilmem 3 bin falan

00:00:06.002 --> 00:00:07.064

Matbaadan alacağımız var mı Affedersiniz hanımefendi

00:00:07.084 --> 00:00:10.052

Bu tablo ne kadar Yürü Ne güne duruyorsun

00:00:10.064 --> 00:00:11.008

Tabii Bay Keane

00:00:12.008 --> 00:00:13.092

Özür dilerim

Available in 7 languages

Duration

14 seconds

Views

58

Timestamp in Movie

01:01:10

Uploaded

Mar 12, 2026

Genres

biography, crime, drama

Production

The Weinstein Company,Silverwood Films,Electric City Entertainment,Tim Burton Productions

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Movie Summary

A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.