Join the conversation
Log in or create an account to leave a comment
Log In
Who wrote this sh.t? Mr. Keane, this is not the venue. Perhaps you'd like to writea letter to the editor. What are you afraid of? Just because people like my work,that means automatically it's bad? No, but it doesn'tmake it art either. Art should elevate, not pander. Particularly in a Hall of Education. You have no idea!Why does someone become a critic? -Because he cannot create!-Dear. That moldy chestnut. Don't interrupt! You don't know what it's liketo put your emotions out there, naked for the whole world to see! What emotions?It's synthetic hack work. Your masterpiece hasan infinity of Keanes, which makes itan infinity of kitsch
Full Transcript
00:00:01.000 --> 00:00:02.028
Who wrote this sh t
00:00:05.004 --> 00:00:08.002
Mr Keane this is not the venue
00:00:09.024 --> 00:00:11.048
Perhaps you'd like to write a letter to the editor
00:00:12.000 --> 00:00:13.052
What are you afraid of
00:00:14.024 --> 00:00:17.056
Just because people like my work that means automatically it's bad
00:00:18.000 --> 00:00:19.096
No but it doesn't make it art either
00:00:20.006 --> 00:00:22.076
Art should elevate not pander
00:00:23.028 --> 00:00:25.012
Particularly in a Hall of Education
00:00:25.032 --> 00:00:28.028
You have no idea Why does someone become a critic
00:00:28.064 --> 00:00:32.076
Because he cannot create Dear That moldy chestnut
00:00:32.088 --> 00:00:33.092
Don't interrupt
00:00:34.024 --> 00:00:37.000
You don't know what it's like to put your emotions out there
00:00:37.016 --> 00:00:39.004
naked for the whole world to see
00:00:39.072 --> 00:00:42.068
What emotions It's synthetic hack work
00:00:43.016 --> 00:00:45.032
Your masterpiece has an infinity of Keanes
00:00:45.052 --> 00:00:48.000
which makes it an infinity of kitsch
Available in 7 languages
Want This Clip in HD?
Upgrade for HD/4K downloads and unlimited access. Upgrade now →
Movie Summary
A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.

