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What are you afraid of
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What are you afraid of! Just because people like my work, that means automatically it's...

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Walter Keane: What are you afraid of! Just because people like my work, that means automatically it's bad? John Canaday: No, but it doesn't make it art either. Art should elevate, not pander. Particularly in a Hall of Education. Walter Keane: You have no idea! Why does someone become a critic? Because he cannot create! John Canaday: Oh, dear. That moldy chestnut. Walter Keane: Don't interrupt! You don't know what it's like to put your emotions out there, naked for the whole world to see! John Canaday: What emotions? It's synthetic hack work. Your masterpiece has an infinity of Keanes, which makes it an infinity of kitsch.


Transcript

00:00:01.000 --> 00:00:03.998
What are you afraid of
00:00:03.016 --> 00:00:07.085
Just because people like my work that means automatically it's bad
00:00:07.024 --> 00:00:10.001
No but it doesn't make it art either
00:00:10.002 --> 00:00:12.407
Art should elevate not pander
00:00:12.006 --> 00:00:14.682
Particularly in a Hall of Education
00:00:14.084 --> 00:00:18.128
You have no idea Why does someone become a critic
00:00:18.032 --> 00:00:22.053
Because he cannot create Oh dear That moldy chestnut
00:00:22.068 --> 00:00:23.681
Don't interrupt
00:00:23.084 --> 00:00:27.287
You don't know what it's like to put your emotions out there
00:00:27.044 --> 00:00:30.284
naked for the whole world to see
00:00:30.044 --> 00:00:33.171
What emotions It's synthetic hack work
00:00:33.032 --> 00:00:35.971
Your masterpiece has an infinity of Keanes

Clip duration: 37 seconds
Views: 160
Timestamp in movie: 01h 12m 36s
Uploaded: 19 March, 2022
Genres: biography, crime, drama
Summary: A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.


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