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How would you shoot that
scene where you really felt like we're feeling
what margot is feeling, but not being exploitative
about it or objectifying her?
scene where you really felt like we're feeling
what margot is feeling, but not being exploitative
about it or objectifying her?
Full Transcript
00:00:01.000 --> 00:00:03.878
How would you shoot that
scene where you really felt
00:00:03.962 --> 00:00:08.341
like we're feeling
what margot is feeling,
00:00:08.425 --> 00:00:13.304
but not being exploitative
about it or objectifying her?
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Movie Summary
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 175 movie clips from 1896 ...