In fact, the positionof the passive object is so deeply coded as feminine and the...
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In fact, the position
of the passive object is so deeply coded as feminine and the passivity
of that feminine object is seen as highly sexual, to a point where, for
example, in this scene from "after hours" the sexy passive object is so
passive, she's actually dead
of the passive object is so deeply coded as feminine and the passivity
of that feminine object is seen as highly sexual, to a point where, for
example, in this scene from "after hours" the sexy passive object is so
passive, she's actually dead
Full Transcript
00:00:01.000 --> 00:00:05.013
In fact, the position
of the passive object
00:00:05.213 --> 00:00:09.134
is so deeply coded as feminine
00:00:09.217 --> 00:00:11.803
and the passivity
of that feminine object
00:00:11.886 --> 00:00:14.973
is seen as highly sexual,
00:00:15.999 --> 00:00:17.934
to a point where, for
example, in this scene
00:00:18.999 --> 00:00:20.145
from "after hours"
00:00:20.228 --> 00:00:25.567
the sexy passive object is so
passive, she's actually dead.
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Movie Summary
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 175 movie clips from 1896 ...
