Things haven't changedthat much, I feel likeit is mostly white men and even in my own...
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Things haven't changed
that much, I feel like
it is mostly white men and even in my own productions
where I've funded myself, I'd hire a white man
and he hires all white men and I was like, "oh, did I
have to communicate with you, like, to make it inclusive?" There's no question that, because so many men are
directors of photography, 95%, the male gaze is definitely
normalized in our society
that much, I feel like
it is mostly white men and even in my own productions
where I've funded myself, I'd hire a white man
and he hires all white men and I was like, "oh, did I
have to communicate with you, like, to make it inclusive?" There's no question that, because so many men are
directors of photography, 95%, the male gaze is definitely
normalized in our society
Full Transcript
00:00:01.000 --> 00:00:02.585
Things haven't changed
that much,
00:00:02.669 --> 00:00:06.923
I feel like
it is mostly white men
00:00:07.002 --> 00:00:10.026
and even in my own productions
where I've funded myself,
00:00:10.343 --> 00:00:13.972
I'd hire a white man
and he hires all white men
00:00:14.055 --> 00:00:16.599
and I was like, "oh, did I
have to communicate with you,
00:00:16.683 --> 00:00:18.601
like, to make it inclusive?"
00:00:18.685 --> 00:00:20.562
There's no question that,
00:00:20.645 --> 00:00:26.943
because so many men are
directors of photography, 95%,
00:00:27.026 --> 00:00:31.197
the male gaze is definitely
normalized in our society.
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Movie Summary
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 175 movie clips from 1896 ...
