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When you have,
as foucault says, webs, webs of ideology and they are all interlocking and they're all reinforcing
a certain way of looking and a certain way of experience
that you're locked out of, it takes a lot of strength
to say, "I don't see things this way and I'm going to create
something that is different."
as foucault says, webs, webs of ideology and they are all interlocking and they're all reinforcing
a certain way of looking and a certain way of experience
that you're locked out of, it takes a lot of strength
to say, "I don't see things this way and I'm going to create
something that is different."
Full Transcript
00:00:01.000 --> 00:00:03.919
When you have,
as foucault says, webs,
00:00:04.001 --> 00:00:05.421
webs of ideology
00:00:05.504 --> 00:00:07.256
and they are all interlocking
00:00:07.339 --> 00:00:09.883
and they're all reinforcing
a certain way of looking
00:00:09.967 --> 00:00:13.178
and a certain way of experience
that you're locked out of,
00:00:13.262 --> 00:00:17.998
it takes a lot of strength
to say,
00:00:17.099 --> 00:00:18.434
"I don't see things this way
00:00:18.517 --> 00:00:23.564
and I'm going to create
something that is different."
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Movie Summary
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 175 movie clips from 1896 ...