You know, and I wouldhave male agents write me to see the film and then theywould say,...
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You know, and I would
have male agents write me to see the film and then they
would say, "it's not for me or it's not what
I'm looking for." And then you would look
at their rosters, like this was just 2013, you know, I would look
at their rosters and their rosters were all male
have male agents write me to see the film and then they
would say, "it's not for me or it's not what
I'm looking for." And then you would look
at their rosters, like this was just 2013, you know, I would look
at their rosters and their rosters were all male
Full Transcript
00:00:01.000 --> 00:00:04.128
You know, and I would
have male agents write me
00:00:04.211 --> 00:00:08.757
to see the film and then they
would say, "it's not for me
00:00:08.841 --> 00:00:10.884
or it's not what
I'm looking for."
00:00:10.968 --> 00:00:12.803
And then you would look
at their rosters,
00:00:12.886 --> 00:00:14.847
like this was just 2013,
00:00:14.093 --> 00:00:16.765
you know, I would look
at their rosters
00:00:16.849 --> 00:00:19.685
and their rosters were all male.
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Movie Summary
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 175 movie clips from 1896 ...
