Sounds nice. I thought you didn't like it. Play it again, will you? Follow me. That sounds...

Oliver:
[to Elio playing the guitar]
Sounds nice.
Elio:
I thought you didn't like it.
Oliver:
[looks at Elio, looks away again]
Play it again, will you?
Elio:
[walks into the house]
Follow me.
Oliver:
[Elio plays the piano]
That sounds different; did you change it?
Elio:
I changed it a little bit.
Oliver:
Why?
Elio:
I just played it the way Liszt would have played it if he'd altered Bach's version.
Oliver:
Play that again.
Elio:
Play what again?
Oliver:
The thing you played outside.
Elio:
Oh, you want me to play the thing I played outside?
Oliver:
Please.
Oliver:
[after Elio plays]
I can't believe you changed it again!
Elio:
Oh, I changed it a little bit.
Oliver:
Yeah. Why?
Elio:
I just played it the way Busoni would have played it if he'd altered Liszt's version.
Oliver:
And what is wrong with Bach the way Bach would have played Bach's version?
Elio:
[interrupting]
Bach never wrote it for the guitar. In fact, they're not even sure Bach even wrote it.
Oliver:
Forget I asked!
Elio:
[Elio plays]
It's young Bach. He dedicated it to his brother.

Sounds nice. Thought you didn't like it. Play it again, will you? Follow me. That sounds different. Did you change it? - Well, I changed it a little bit. - Why? I just played it the way Liszt would have played it if he'd altered Bach's version. Play that again. - Play what again? - The thing you played outside. You want me to play the thing I played outside? - Please. - Of course. I can't believe you changed it again. - I changed it a little bit. - Yeah. Why? I just played it the way Busoni would've played it if he'd altered Liszt's version. And what is wrong with Bach the way Bach would've played... Bach never wrote it for the guitar. In fact, we're not even sure - Bach wrote it at all. - Forget I asked.