And when you look at these photographs and you realize that fora large portion of this...
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And when you look at these photographs and you realize that for
a large portion of this dragging, James Byrd was alive, that he was using his elbows, uh, to keep his head and shoulders
away from the pavement dirt, that he was twisting his hips
back and forth and using his, uh, heels to try to keep his head from
coming in contact with that pavement
a large portion of this dragging, James Byrd was alive, that he was using his elbows, uh, to keep his head and shoulders
away from the pavement dirt, that he was twisting his hips
back and forth and using his, uh, heels to try to keep his head from
coming in contact with that pavement
Full Transcript
00:00:01.000 --> 00:00:02.877
And when you look at these photographs
00:00:02.096 --> 00:00:07.059
and you realize that for
a large portion of this dragging,
00:00:07.673 --> 00:00:09.884
James Byrd was alive,
00:00:09.967 --> 00:00:13.429
that he was using his elbows, uh,
00:00:13.513 --> 00:00:17.767
to keep his head and shoulders
away from the pavement dirt,
00:00:17.085 --> 00:00:20.478
that he was twisting his hips
back and forth
00:00:20.561 --> 00:00:23.731
and using his, uh, heels
00:00:23.815 --> 00:00:28.693
to try to keep his head from
coming in contact with that pavement.
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Movie Summary
Exposing her role behind the camera, Kirsten Johnson reaches into the vast trove of footage she has shot over decades around the world. What emerges is a visually bold memoir and a revelatory interrogation of the power of the camera.
