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It's only 30 to 50 centimeters, but the difference
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Close to Vermeer

It's only 30 to 50 centimeters,but the difference

It's only 30 to 50 centimeters,
but the difference

Full Transcript

00:00:01.000 --> 00:00:07.039
It's only 30 to 50 centimeters, but the difference...
Duration
8 seconds
Views
30
Timestamp in Movie
00:16:19
Uploaded
Mar 13, 2025
Genres
documentary
Production
N/A

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Movie Summary

Much has been written, but little is known about Johannes Vermeer, painter of iconic paintings and crowd pleasers such as The Milkmaid and Girl with a Pearl Earring. His small oeuvre is almost everything he left behind. Dicht bij ...
Your hand is all vague, very vague contours. - Close to Vermeer 00:07
Your hand is all vague, very vague contours.
While your face and your necklace are really well-defined. - Close to Vermeer 00:06
While your face and your necklace are really well-defined.
Now you're all blurry so I must try to somehow... - Close to Vermeer 00:08
Now you're all blurry so I must try to somehow...
Get you in focus by changing the distance. - Close to Vermeer 00:06
Get you in focus by changing the distance.
- Watch your step. - I know that step. - Close to Vermeer 00:06
- Watch your step. - I know that step.
A camera obscura is basically a dark box. - Close to Vermeer 00:07
A camera obscura is basically a dark box.
When you take off the lid, you see this dark room here. - Close to Vermeer 00:07
When you take off the lid, you see this dark room here.
The lens is here and the image falls on this mirror... - Close to Vermeer 00:05
The lens is here and the image falls on this mirror...
It reflects the image onto this ground-glass screen. - Close to Vermeer 00:06
It reflects the image onto this ground-glass screen.
It's really parchment and should be quite translucent. - Close to Vermeer 00:07
It's really parchment and should be quite translucent.
When I look through this, I can suddenly see that as an image. - Close to Vermeer 00:08
When I look through this, I can suddenly see that as an imag...
What you can see in this way, fascinates me here too. - Close to Vermeer 00:07
What you can see in this way, fascinates me here too.
Vermeer has that too. He knows that if there are several window panes... - Close to Vermeer 00:07
Vermeer has that too. He knows that if there are several win...
The curtain no longer throws one shadow, but in this case... - Close to Vermeer 00:06
The curtain no longer throws one shadow, but in this case...
He didn't paint with the camera obscura, he observed. - Close to Vermeer 00:06
He didn't paint with the camera obscura, he observed.
He did exactly this and wondered: Wow, what's happening here? - Close to Vermeer 00:07
He did exactly this and wondered: Wow, what's happening...
So, do I look like the Girl with a Pearl Earring now? - Close to Vermeer 00:06
So, do I look like the Girl with a Pearl Earring now?
Almost. - I knew it. - Close to Vermeer 00:05
Almost. - I knew it.
I have to admit I'm pretty excited. - Close to Vermeer 00:07
I have to admit I'm pretty excited.
Portrait of an Old Woman as Saint Apollonia. - Close to Vermeer 00:10
Portrait of an Old Woman as Saint Apollonia.