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Close to Vermeer

"We believe we are right." "Our argument is crystal-clear." You know...- I thought we were...

"We believe we are right." "Our argument is crystal-clear." You know...
- I thought we were still getting there

Full Transcript

00:00:01.000 --> 00:00:04.002
"We believe we are right."
00:00:04.092 --> 00:00:07.066
"Our argument is crystal-clear."
00:00:08.053 --> 00:00:12.026
You know... - I thought we were still getting there.
Duration
13 seconds
Views
25
Timestamp in Movie
01:05:52
Uploaded
Mar 13, 2025
Genres
documentary
Production
N/A

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Movie Summary

Much has been written, but little is known about Johannes Vermeer, painter of iconic paintings and crowd pleasers such as The Milkmaid and Girl with a Pearl Earring. His small oeuvre is almost everything he left behind. Dicht bij ...
"Girl with a Flute will not be loaned out as a Vermeer..." - Close to Vermeer 00:32
"Girl with a Flute will not be loaned out as a Vermeer....
They're on the table, we can start at once. - Close to Vermeer 00:06
They're on the table, we can start at once.
What I read in the paper was a bit of a surprise to me. - Close to Vermeer 00:07
What I read in the paper was a bit of a surprise to me.
I agree with the content of the newspaper article, - Close to Vermeer 00:10
I agree with the content of the newspaper article,
And I wonder if this went down well. Because you do say... - Close to Vermeer 00:07
And I wonder if this went down well. Because you do say...
Basically we expressed what we discussed here. - Close to Vermeer 00:06
Basically we expressed what we discussed here.
And it attracted a great deal of publicity, - Close to Vermeer 00:11
And it attracted a great deal of publicity,
It says something about Vermeer's status as an artist. - Close to Vermeer 00:06
It says something about Vermeer's status as an artist.
They've expressed their surprise: "Guys, what's this we read in the papers?" - Close to Vermeer 00:11
They've expressed their surprise: "Guys, what'...
We thought you had properly communicated - Close to Vermeer 00:15
We thought you had properly communicated
But you hadn't. So then it's a matter of having it out and moving on. - Close to Vermeer 00:07
But you hadn't. So then it's a matter of having it...
1.65? - No, 1.67, please. - Close to Vermeer 00:06
1.65? - No, 1.67, please.
Nice. Let's do this one too, so we'll have one room done. - Close to Vermeer 00:07
Nice. Let's do this one too, so we'll have one roo...
Mind the raised edges. - Close to Vermeer 00:06
Mind the raised edges.
It feels very different, the Mauritshuis without Vermeers. - Close to Vermeer 00:06
It feels very different, the Mauritshuis without Vermeers.
It really comes alive now. - Yes. - Close to Vermeer 00:06
It really comes alive now. - Yes.
Is it strange to see her here? - A little. - Close to Vermeer 00:05
Is it strange to see her here? - A little.
Dear colleagues, it's nine o'clock. - Close to Vermeer 00:09
Dear colleagues, it's nine o'clock.