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Hector!
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Coco

Hector!- Tia Chelo! Muchas gracias! Hey! Save some for me!Is Chicharron around? Eh, in the...

Coco • 2017
Hector!- Tia Chelo! Muchas gracias! Hey! Save some for me!Is Chicharron around? Eh, in the bungalow. I don't know if he's inthe mood for visitors. Who doesn't likea visit from Cousin Hector?

Full Transcript

00:00:01.000 --> 00:00:03.516
Hector Tia Chelo
00:00:05.305 --> 00:00:07.405
Muchas gracias
00:00:07.407 --> 00:00:09.094
Hey Save some for me Is Chicharron around
00:00:09.943 --> 00:00:11.108
Eh in the bungalow
00:00:11.011 --> 00:00:13.612
I don't know if he's in the mood for visitors
00:00:13.614 --> 00:00:16.896
Who doesn't like a visit from Cousin Hector
Available in 3 languages
Duration
18 seconds
Views
24
Timestamp in Movie
00:42:52
Uploaded
Jan 31, 2026
Genres
animation, adventure, comedy
Production
Pixar,Walt Disney Pictures

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Movie Summary

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.
Mostly because one of our sound designers made a really funny voice for him that I just remember cracking up the first time I heard it. - Coco 00:08
Mostly because one of our sound designers made a really...
We knew we had to figure out some place to put it, and that's the original sound that he designed for the voice of the Frobbit. - Coco 00:09
We knew we had to figure out some place to put it, and...
Buenas noches, Chicharron! - Coco 00:47
Buenas noches, Chicharron!
It's also when I started writing, the first scene I wrote, and also the first song that I wrote on the film. - Coco 00:07
It's also when I started writing, the first scene I...
We had had versions of the film where we heard about this idea of the second death, and people talked about it and that you get forgotten. - Coco 00:08
We had had versions of the film where we heard about this...
And I thought, "This is such an important idea," in terms of stuff that's associated with Mexican beliefs about death, and for the stakes of Héctor in the film, that I thought if we had a way to show it, to kind of fall in love with the character for a se - Coco 00:20
And I thought, "This is such an important idea,"...
UNKRICH: We felt like Miguel needed to see somebody die that second death. - Coco 00:05
UNKRICH: We felt like Miguel needed to see somebody die that...
But we thought, "How are we going to do that "without it completely slamming the brakes on the movie? - Coco 00:07
But we thought, "How are we going to do that...
"How do you move on from that?" And you managed to pull it off in this scene because we take the time, because we don't rush past it. - Coco 00:09
"How do you move on from that?" And you managed to...
You play me something. - Coco 00:25
You play me something.
You have the time to absorb the heaviness of what's just happened, and they talk about it, and it becomes that much more powerful later when you realize that Héctor's gonna go through the same thing. - Coco 00:12
You have the time to absorb the heaviness of what's...
ANDERSON: And two of my favorite things about this scene are, one, the great actor, Edward James Olmos, who plays it. - Coco 00:09
ANDERSON: And two of my favorite things about this scene...
He brings the proper amount of gravitas, and there's nothing like his voice and the texture. - Coco 00:08
He brings the proper amount of gravitas, and there's...
♪ Well, everyone knows Juanita ♪ Her eyes each a different color ♪ Her teeth stick out And her chin goes in ♪ And her... ♪ Knuckles they drag on the floor - Those aren't the words. - Coco 00:49
♪ Well, everyone knows Juanita ♪ Her eyes each a different...
And the other thing about this scene is just the juxtaposition of this irreverent song. - Coco 00:07
And the other thing about this scene is just the...
It is such a big, important, heavy moment, -but the song is so irreverent and silly. - Coco 00:07
It is such a big, important, heavy moment, -but the song is...
MOLINA: A lot of the tone that you get from Día de Muertos is this kind of balance of an irreverence with death, the heartache with the humor, and this was really one of those moments where we wanted to give that expression. - Coco 00:14
MOLINA: A lot of the tone that you get from Día de Muertos...
UNKRICH: This is another example where we shot lots of reference footage of the playing of the guitar so that Héctor could play it perfectly. - Coco 00:09
UNKRICH: This is another example where we shot lots of...
This seemed like an ideal place to hide a bunch of Easter eggs, and in the end, we decided not to because the scene is so emotionally powerful, we just didn't want to have anything to distract. - Coco 00:14
This seemed like an ideal place to hide a bunch of Easter...
Brings back memories. - Coco 00:11
Brings back memories.