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Don't I know you
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Coco

I don't know, I am still angry at you!

Coco • 2017
Ernesto de la Cruz:

[to Mamá Imelda]
Don't I know you? Mamá Imelda:
[Smacks Ernesto with her shoe]
That's for murdering the love of my life! Ernesto de la Cruz:
[Confused]
Who the...? Héctor:
She's talking about me! [Touched] Héctor:
I am the love of your life? Mamá Imelda:
I don't know, I am still angry at you!

Full Transcript

00:00:01.000 --> 00:00:02.874
Don't I know you
00:00:03.796 --> 00:00:05.947
That's for murdering the love of my life
00:00:05.975 --> 00:00:08.026
Who the She's talking about me
00:00:08.289 --> 00:00:09.691
I'm the love your your life
00:00:09.072 --> 00:00:11.295
I don't know I'm still angry at you
Duration
12 seconds
Views
8,249
Timestamp in Movie
01:16:57
Uploaded
Mar 19, 2022
Genres
animation, adventure, comedy
Production
Pixar,Walt Disney Pictures

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Movie Summary

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.

Actors

Benjamin Bratt
Ernesto De La Cruz
Benjamin Bratt
You know, the deeper we got into Imelda's character and how hurt she was from this guy leaving her, and it just seemed unrealistic that she'd be ready to forgive him right away. - Coco 00:11
You know, the deeper we got into Imelda's character and...
And so it was a real win to have her withhold. - Coco 00:05
And so it was a real win to have her withhold.
UNKRICH: It allowed us to then have some fun kind of teasing out her... - Coco 00:05
UNKRICH: It allowed us to then have some fun kind of teasing...
ANDERSON: That really resonated with so many people when we would get feedback from the film, both humorous and real and emotionally satisfying. - Coco 00:10
ANDERSON: That really resonated with so many people when we...
MOLINA: I love the acting all around in this scene, the voice acting and the animation. - Coco 00:09
MOLINA: I love the acting all around in this scene, the...
Before, it used to be that Imelda was completely on board with Miguel's plan. - Coco 00:05
Before, it used to be that Imelda was completely on board...
But he's acquiesced and he's said, "Okay, fine I'll never play music again." But at the same time, we like him as a character, because he's willing to sacrifice that in the name of bringing his family together and righting these wrongs that happened in th - Coco 00:17
But he's acquiesced and he's said, "Okay,...
MOLINA: Here, it comes to fruition, all of my wildest dreams. - Coco 00:06
MOLINA: Here, it comes to fruition, all of my wildest...
Of course, we gave him a little cameo as the conductor. - Coco 00:06
Of course, we gave him a little cameo as the conductor.
ANDERSON: The monkey in there is, to me, just quintessential -Lee Unkrich, that little moment. - Coco 00:12
ANDERSON: The monkey in there is, to me, just quintessential...
But I love that we closed that loop, and she helps in her own way. - Coco 00:06
But I love that we closed that loop, and she helps in her...
- Here, let me help you with... - Coco 00:53
- Here, let me help you with...
I realized after we animated this, I think this is the third movie I've done where we had a group of people huddle and then shot it from below. - Coco 00:09
I realized after we animated this, I think this is the third...
I think we also did it in Toy Story 3, and way back in A Bug's Life. -So, there you go, the trio is complete. - Coco 00:15
I think we also did it in Toy Story 3, and way back in A...
Don't I know youThat's for murdering the love of my lifeWho Who the She's talking about meI'm the love of your lifeI don't know I'm still angry at youHector How did youAnd that's for trying to murder my grandsonGrandson She's talking about meYou Wait - Coco 00:39
Don't I know youThat's for murdering the love of...
UNKRICH: I love the whole look of this backstage area here. - Coco 00:05
UNKRICH: I love the whole look of this backstage area here.
We looked at the Michael Keaton film Birdman, 'cause there was lots of great backstage stuff going on in that film, and that ended up being an inspiration for a lot of the look of this area below the stage. - Coco 00:12
We looked at the Michael Keaton film Birdman, 'cause...
We started working with him when he was about 12 or 13, and he's now 17, and his voice has totally changed. - Coco 00:07
We started working with him when he was about 12 or 13, and...
ANDERSON: Yeah, he drove himself to that session. - Coco 00:05
ANDERSON: Yeah, he drove himself to that session.
Hurry! Come on! Ladies and gentlemen... the one... the only... Ernesto de la Cruz! - Coco 00:14
Hurry! Come on! Ladies and gentlemen... the one... the...