To watch in HD, get ClipCafe PRO
It's just so perfect, just all so appealing
Please log in to add to collections.
Coco

It's just so perfect,just all so appealing

Coco • 2017
It's just so perfect,just all so appealing

Full Transcript

00:59:59.781 --> 00:00:01.046
That man was Ernesto de la Cruz
00:00:01.048 --> 00:00:02.917
The greatest musician of all time
00:00:02.919 --> 00:00:04.451
We've never known anything about this man
00:00:04.453 --> 00:00:08.188
But whoever he was he still abandoned his family
00:00:08.019 --> 00:00:09.823
This is no future for my son
00:00:09.825 --> 00:00:12.036
But Papa you said my family would guide me
00:00:12.362 --> 00:00:14.929
Well de la Cruz is my family
00:00:14.931 --> 00:00:16.464
I'm supposed to play music
00:00:16.466 --> 00:00:18.799
Never That man's music was a curse
00:00:18.801 --> 00:00:20.801
I will not allow it
00:00:20.803 --> 00:00:22.334
If you would just let Miguel
00:00:22.336 --> 00:00:23.938
You will listen to your family
00:00:23.094 --> 00:00:25.237
No more music
00:00:25.239 --> 00:00:28.389
Just listen to me play End of argument
00:00:30.212 --> 00:00:32.879
You want to end up like that man Forgotten
Available in 10 languages
Duration
5 seconds
Views
50
Timestamp in Movie
00:17:19
Uploaded
Jan 17, 2026
Genres
animation, adventure, comedy
Production
Pixar,Walt Disney Pictures

Want This Clip in HD?

Upgrade for HD/4K downloads and unlimited access. Upgrade now →

Movie Summary

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.
UNKRICH: So many of the designs came from our character designer Danny Arriaga's own family. - Coco 00:07
UNKRICH: So many of the designs came from our character...
He was constantly bringing in photos of his family and referencing them in his designs. - Coco 00:07
He was constantly bringing in photos of his family and...
Danielle Feinberg, our Director of Photography for Lighting, had this idea to put this green fluorescent glow coming from the kitchen. - Coco 00:08
Danielle Feinberg, our Director of Photography for Lighting,...
It was something she had seen in our travels down in Mexico, and I just think it's so gorgeous. - Coco 00:08
It was something she had seen in our travels down in Mexico,...
There. No guitar. No music. Oh, come. You'll feel better after you eat with your family. I don't wan - Coco 00:18
There. No guitar. No music. Oh, come. You'll feel...
You'll notice that when we're in the Land of the Living, most of the time, it's daytime, and when we're in the Land of the Dead, it's always night, and we definitely wanted that contrast. - Coco 00:09
You'll notice that when we're in the Land of the...
Aw come - Coco 00:10
Aw come
MOLINA: In our research, a lot of the Day of the Dead celebration takes place during nighttime when families go out to the cemetery, so we wanted to show that moment. - Coco 00:10
MOLINA: In our research, a lot of the Day of the Dead...
MOLINA: We tried a lot to get that feeling of in the cemetery, it's quiet and somber, and out in the streets, it's a big party. - Coco 00:07
MOLINA: We tried a lot to get that feeling of in the...
I want to play in the plaza, like de la Cruz. - Coco 00:29
I want to play in the plaza, like de la Cruz.
From mariachi to son jarocho to trio to banda, to all these great groups. - Coco 00:07
From mariachi to son jarocho to trio to banda, to all these...
And we recorded lots of music, some original stuff and some old standards, with the intent of kind of sprinkling them all over the film. - Coco 00:09
And we recorded lots of music, some original stuff and some...
And that band playing in the grandstand was one of the groups that we recorded. - Coco 00:06
And that band playing in the grandstand was one of the...
Great-great-grandfather, what am I supposed to do? - Coco 00:07
Great-great-grandfather, what am I supposed to do?
UNKRICH: This gorgeous set and the lighting, the modeling, everything here really perfectly captures the feeling of so many of the cemeteries that we visited down in Mexico. - Coco 00:11
UNKRICH: This gorgeous set and the lighting, the modeling,...
I remember there was a particularly large cemetery in Oaxaca that we spent time at that this just really feels just like it to me. - Coco 00:09
I remember there was a particularly large cemetery in Oaxaca...
And, of course, we had to make de la Cruz's tomb, his mausoleum, kind of the most incredible thing in the cemetery because he's the beloved son of the town. - Coco 00:09
And, of course, we had to make de la Cruz's tomb, his...
No, no, no, no. - Coco 00:07
No, no, no, no.
So we looked at a lot of the tombs of beloved Mexican musicians and looked at how they were revered and tried to top them, even, because we wanted de Ia Cruz to be the most famous singer ever to come out of Mexico. - Coco 00:14
So we looked at a lot of the tombs of beloved Mexican...
MOLINA: There are a few scenes that stayed pretty much the same from our very first screening to our very last, and this is one of them. - Coco 00:10
MOLINA: There are a few scenes that stayed pretty much the...