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So, it was nice to get multi-generations and how they all feel about the business
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Coco

So, it was nice to get multi-generations and how they all feelabout the business

Coco • 2017
So, it was nice to get multi-generations and how they all feelabout the business

Full Transcript

00:59:59.889 --> 00:00:01.421
Sign up Well maybe
00:00:01.423 --> 00:00:04.791
You have to have talent to be in a talent show
00:00:04.793 --> 00:00:07.761
What are you gonna do Shine shoes
00:00:07.763 --> 00:00:09.229
It's Dia de los Muertos
00:00:09.231 --> 00:00:12.666
No one's going anywhere Tonight is about family
00:00:12.668 --> 00:00:15.485
Ofrenda room Vamonos
Available in 9 languages
Duration
5 seconds
Views
223
Timestamp in Movie
00:09:30
Uploaded
Jan 17, 2026
Genres
animation, adventure, comedy
Production
Pixar,Walt Disney Pictures

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Movie Summary

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.
UNKRICH: The last thing I think Miguel wants is to imagine the rest of his life spent working in this shoe shop. - Coco 00:07
UNKRICH: The last thing I think Miguel wants is to imagine...
It was a tall order, the front end of this film, and we went through a lot of different versions because it was a lot to set up, right? - Coco 00:08
It was a tall order, the front end of this film, and we went...
MOLINA: From the family backstory to the rules of the holiday, to the rules that are specific to this film, when we get to the Land of the Dead, it's just a ton, and to make it all feel natural. - Coco 00:11
MOLINA: From the family backstory to the rules of the...
- -We did lots and lots and lots of passes of this section of the film before we finally settled on this, and hopefully it works for people. - Coco 00:09
- -We did lots and lots and lots of passes of this section...
ANDERSON: We worked really hard to get the ofrenda culturally accurate, and a lot of the items on the ofrenda. One of the most important things is a glass of water because we believe the family members are making the journey. - Coco 00:12
ANDERSON: We worked really hard to get the ofrenda...
And after the journey, they need to have water to refresh themselves. - Coco 00:08
And after the journey, they need to have water to refresh...
UNKRICH: When we were designing Mamá Coco, we tried to find pictures of, like, the oldest people that we could possibly find that just had, like, road maps of wrinkles on their faces. - Coco 00:11
UNKRICH: When we were designing Mamá Coco, we tried to find...
And one of the big inspirations for us was our first writer, Matt Aldrich, described her as a living raisin, and that just seemed like the perfect way to describe her, and that's actually what I think of every time I see her now. - Coco 00:13
And one of the big inspirations for us was our first writer,...
MOLINA: On the ofrenda, there's a little Pepita-colored cat you see in some of the shots. - Coco 00:07
MOLINA: On the ofrenda, there's a little Pepita-colored...
You see her at the end as a little street cat, and we imagined that she's been around for a while since Mamá Imelda's day. - Coco 00:09
You see her at the end as a little street cat, and we...
UNKRICH: There's a little nod here to my favorite movie, Stanley Kubrick's The Shining. There's the axe from the movie in the stump, and behind it is a barrel, a red barrel, a red drum. - Coco 00:12
UNKRICH: There's a little nod here to my favorite...
ANDERSON: In the review, Chris Bernardi said, "Lee, what do you see there?" -UNKRICH: A drum. - Coco 00:09
ANDERSON: In the review, Chris Bernardi said, "Lee,...
This was a sequence that came together, I wouldn't say early but early-ish, and it ended up being a real tentpole for us. - Coco 00:12
This was a sequence that came together, I wouldn't say...
It's you. - Coco 00:11
It's you.
It's you. Get in here. - Coco 00:25
It's you. Get in here.
We spent a lot of time early on trying to figure out how to effectively communicate Miguel's love for music, and we had scene after scene of him talking about it, and it always felt phony and, like, words that wouldn't be coming out of a kid's mouth. - Coco 00:13
We spent a lot of time early on trying to figure out how to...
I wish someone wanted to hear me. - Coco 00:12
I wish someone wanted to hear me.
Plus, how do you really describe a feeling like that without it sounding kind of corny? - Coco 00:06
Plus, how do you really describe a feeling like that without...
MOLINA: What I've always loved about working here at Pixar and working on this film is that sometimes, you use writing to solve a problem. - Coco 00:08
MOLINA: What I've always loved about working here at...
In this case, it was using audio to really figure out how we're going to sell this feeling, and as filmmakers, I say, "Everything at your disposal." This is kind of where we begin to see the legend of de la Cruz unfold, and, you know, we wanted him to be - Coco 00:26
In this case, it was using audio to really figure out how...