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UNKRICH: We have a nice payoff here of the chorizo setup earlier
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Coco

We have a nice payoff hereof the chorizo setup earlier

Coco • 2017
UNKRICH:We have a nice payoff hereof the chorizo setup earlier

Full Transcript

00:59:59.567 --> 00:00:01.069
Perhaps it was that chorizo my friend
00:00:01.071 --> 00:00:03.619
Or something I drank
Available in 9 languages
Duration
6 seconds
Views
32
Timestamp in Movie
01:07:03
Uploaded
Jan 17, 2026
Genres
animation, adventure, comedy
Production
Pixar,Walt Disney Pictures

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Movie Summary

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.
I woke up dead. You poisoned me. - Coco 00:20
I woke up dead. You poisoned me.
MOLINA: In very early versions of the film, Héctor knew that de la Cruz murdered him the whole time. - Coco 00:07
MOLINA: In very early versions of the film, Héctor knew that...
And we decided that we really needed to hold off on that information, 'cause it didn't make sense for Héctor to help this kid get to this guy if he knew he was a murderer. - Coco 00:10
And we decided that we really needed to hold off on that...
UNKRICH: Yeah, again, just kind of the chess game of it all, just from a story construction standpoint. - Coco 00:07
UNKRICH: Yeah, again, just kind of the chess game of it all,...
The first few years of constructing the story, there was a lot of rejiggering and rethinking of, you know, what was the best way to tell this story. - Coco 00:10
The first few years of constructing the story, there was a...
- How could you? - Coco 00:55
- How could you?
You know, kind of the core fundamentals of the story stayed the same, but the devil was in the details of exactly how to lay it all out and let the story unfold. - Coco 00:11
You know, kind of the core fundamentals of the story stayed...
There was a lot of writing and rewriting and rewriting and rewriting. - Coco 00:05
There was a lot of writing and rewriting and rewriting and...
I apologize Where were weYou were going to give me your blessingYes Uh siMiguel uh my reputationIt is very important to meI would hate to have you thinkThat you murdered Hector for his songsYou don't think that Do youI No Everyone knows you're the good - Coco 01:09
I apologize Where were weYou were going to give me your...
MOLINA: Can I just say that the acting in this film, what the animators have done with these subtle expressions and these subtle facial tics... - Coco 00:09
MOLINA: Can I just say that the acting in this film, what...
You look at Miguel, you look at de la Cruz, and the gears that are turning. - Coco 00:05
You look at Miguel, you look at de la Cruz, and the gears...
UNKRICH: Yeah. - Coco 00:05
UNKRICH: Yeah.
If I have any style of directing animation, 'cause I'm not an animator myself, so I tend to not come at animation from a more graphic direction, though I have an appreciation for it, I'm always steering towards believability of character and just believin - Coco 00:25
If I have any style of directing animation, 'cause...
Papa Ernesto, my blessing? - Coco 00:36
Papa Ernesto, my blessing?
I think the animators have appreciated being kind of pushed in that direction and thinking about all of those things, and it really... - Coco 00:09
I think the animators have appreciated being kind of pushed...
It brings the characters to life in a way that I know I'm happy with, and I believe that, you know, to your point, that you stop thinking about it being animation, and you just start believing the characters as being real and alive. - Coco 00:13
It brings the characters to life in a way that I know...
Help! Can anyone hear me? I want to go home. - Coco 00:09
Help! Can anyone hear me? I want to go home.
We tried to have a nod to kind of this ancient Meso-American history that we had as part of the Land of the Dead. - Coco 00:10
We tried to have a nod to kind of this ancient Meso-American...
So, these big sculptures, these kind of ruins that you see in this room were inspired by a lot of the beautiful sculptures that we saw at the National Museum of Anthropology in Mexico City. - Coco 00:12
So, these big sculptures, these kind of ruins that you see...
ANDERSON: I remember when we first went on the first trip down there, I think it was, and Jim Morris, the president of Pixar said, "You have to go to that museum." It was his recommendation. - Coco 00:10
ANDERSON: I remember when we first went on the first trip...