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We thought for the very first skeleton that we meet, it would be fun to have it be Catrina
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Coco

We thought forthe very first skeleton that we meet, it would be fun to have it be Catrina

Coco • 2017
We thought forthe very first skeleton that we meet, it would be fun to have it be Catrina

Full Transcript

00:00:04.036 --> 00:00:06.676
Do you mind Whoa
Available in 10 languages
Duration
7 seconds
Views
63
Timestamp in Movie
00:22:42
Uploaded
Jan 17, 2026
Genres
animation, adventure, comedy
Production
Pixar,Walt Disney Pictures

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Movie Summary

Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.
MOLINA: I think when people hear, "Oh, it's a movie about skeletons," or "It's a movie about Day of the Dead," often times they assume, "Oh, it's meant to be "a horror or a Tim Burton film," or something like that and so, yeah, we really wanted to be in t - Coco 00:20
MOLINA: I think when people hear, "Oh, it's a...
UNKRICH: So we tried to make the skeletons, their designs, as appealing as possible, and one of the decisions I made very early on was to give them eyeballs, which you normally wouldn't see in a skeleton, but I just knew that we needed to connect with all - Coco 00:22
UNKRICH: So we tried to make the skeletons, their designs,...
Dante! You can see me? Wait! What's going on? Dante! - Oh, I'm sorry. I'm sorry. - Miguel? - Miguel? - Coco 00:16
Dante! You can see me? Wait! What's going on? Dante! -...
You're here? - Coco 00:51
You're here?
When we're working out the story on these films, we put together story reels. - Coco 00:06
When we're working out the story on these films, we put...
But for Miguel, who was originally named Marco, I just really wanted to have a real kid playing him, just so that it would feel real. - Coco 00:09
But for Miguel, who was originally named Marco, I just...
And so we had another young boy in to do Marco's voice for a few years. - Coco 00:07
And so we had another young boy in to do Marco's voice...
And, unfortunately, his voice started to change because we were taking so long making the movie. - Coco 00:05
And, unfortunately, his voice started to change because we...
He came up to do scratch, and we ended up just falling in love with him, and he turned out to be an amazing singer, and just was a fantastic kid. - Coco 00:07
He came up to do scratch, and we ended up just falling in...
And so he became our Miguel and just really carries this entire movie in a way that kids rarely have to do. - Coco 00:09
And so he became our Miguel and just really carries this...
MOLINA: We did a lot of research before we started even creating the story of this film, and this is one of those moments where I think it really paid off. - Coco 00:08
MOLINA: We did a lot of research before we started even...
Whoa. Come on, Miguel. It's okay. - Coco 00:07
Whoa. Come on, Miguel. It's okay.
This idea of marigold paths guiding these skeletons home just really lent itself to this spectacular idea of a bridge made out of marigolds that connects the two worlds. - Coco 00:11
This idea of marigold paths guiding these skeletons home...
UNKRICH: In some of the earlier concept paintings, the bridge was a more ornate, wrought iron-looking bridge that was made out of petals, but it had that kind of design. - Coco 00:10
UNKRICH: In some of the earlier concept paintings, the...
Dante? Dante! Dante, wait up! You got to stay with me, boy. We don't know... where... - Coco 00:14
Dante? Dante! Dante, wait up! You got to stay with me, boy....
And then one of our artists, Robert Kondo, did a painting of this more ethereal organic bridge with the petals just kind of raining down, and I instantly fell in love with it and never looked back. - Coco 00:14
And then one of our artists, Robert Kondo, did a painting of...
MOLINA: I remember when I was on the stage and hearing Michael's score come together with this moment, I just felt like, "Oh, my gosh, this is our movie." This image and this sound and these colors, this just felt like it wrapped up the feeling of the fil - Coco 00:16
MOLINA: I remember when I was on the stage and hearing...
This isn't a dream then. - Coco 00:21
This isn't a dream then.
UNKRICH: Yeah, Michael Giacchino threw himself into this totally. - Coco 00:05
UNKRICH: Yeah, Michael Giacchino threw himself into this...
He loved it from the very beginning, and he teamed up with Germaine Franco to really create a score that was as emotionally effective as his scores always are, but also had an air of authenticity. - Coco 00:13
He loved it from the very beginning, and he teamed up with...