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I really am open to influence
and new ideas, and old ideas as well. I don't put a block on things. ♪ ..dear Mistress
and cure his heart... ♪ I was one of the first kids
in Britain to have the Velvet Underground
album. I know that for a fact because somebody had brought me back
a demo copy of it before it was even released
in America. The Underground were, I thought,
the most incredible sound. There was this sort of mixture of
rock and avant-garde, and the combination was so brutal
and new ideas, and old ideas as well. I don't put a block on things. ♪ ..dear Mistress
and cure his heart... ♪ I was one of the first kids
in Britain to have the Velvet Underground
album. I know that for a fact because somebody had brought me back
a demo copy of it before it was even released
in America. The Underground were, I thought,
the most incredible sound. There was this sort of mixture of
rock and avant-garde, and the combination was so brutal
Full Transcript
00:00:01.000 --> 00:00:05.239
I really am open to influence
and new ideas,
00:00:05.024 --> 00:00:07.279
and old ideas as well.
00:00:07.028 --> 00:00:09.999
I don't put a block on things.
00:00:10.000 --> 00:00:12.999
♪ ..dear Mistress
and cure his heart... ♪
00:00:13.000 --> 00:00:14.759
I was one of the first kids
in Britain
00:00:14.076 --> 00:00:16.999
to have the Velvet Underground
album.
00:00:17.000 --> 00:00:18.399
I know that for a fact
00:00:18.004 --> 00:00:21.999
because somebody had brought me back
a demo copy of it
00:00:22.000 --> 00:00:24.002
before it was even released
in America.
00:00:25.092 --> 00:00:30.119
The Underground were, I thought,
the most incredible sound.
00:00:30.012 --> 00:00:33.001
There was this sort of mixture of
rock and avant-garde,
00:00:33.998 --> 00:00:35.064
and the combination was so brutal.
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Movie Summary
Documentary following five years of Bowie's early career, from the late 1960s through to the on-stage death of Ziggy Stardust in 1973 and features never seen before archive interviews with some of Bowie's earliest collaborators.