You like to watch me when you think I'm sleeping and trace the outlines of my face. You're...
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Gabe:
[Gabe and Sam are locked in Sam's room arguing]
I'm sorry if I can't be your Nubian Prince on my black horse ready to take you back to fucking Zamunda. Sam White:
That's not a real African country. Gabe:
Can I at least get a little credit for a solid 'Coming to America' reference? This isn't you Sam. Sam White:
No? And who am I? Gabe:
You're this girl... Sam White:
Perceptive... Gabe:
Who likes to argue with me about *every fucking thing.* And I hate it because we both know you're smarter than me. Your favorite director is Bergman. But you tell everyone it's Spike Lee. You love bebop but you've got a thing for Taylor Swift. And I know because my Mac picks up your Mac's library. Sam White:
I was so careful... Gabe:
You like to watch me when you think I'm sleeping and trace the outlines of my face. You're more Banksy than Barack. But you've been co-opted as some sort of revolutionary leader or something. But really, you're an anarchist. A shit-starter. A beautiful filmmaker. And beautiful in general
[Gabe and Sam are locked in Sam's room arguing]
I'm sorry if I can't be your Nubian Prince on my black horse ready to take you back to fucking Zamunda. Sam White:
That's not a real African country. Gabe:
Can I at least get a little credit for a solid 'Coming to America' reference? This isn't you Sam. Sam White:
No? And who am I? Gabe:
You're this girl... Sam White:
Perceptive... Gabe:
Who likes to argue with me about *every fucking thing.* And I hate it because we both know you're smarter than me. Your favorite director is Bergman. But you tell everyone it's Spike Lee. You love bebop but you've got a thing for Taylor Swift. And I know because my Mac picks up your Mac's library. Sam White:
I was so careful... Gabe:
You like to watch me when you think I'm sleeping and trace the outlines of my face. You're more Banksy than Barack. But you've been co-opted as some sort of revolutionary leader or something. But really, you're an anarchist. A shit-starter. A beautiful filmmaker. And beautiful in general
Full Transcript
00:00:01.000 --> 00:00:02.062
I'm sorry if I can't be your Nubian prince
00:00:02.072 --> 00:00:04.054
on my black horse ready to take you back to fucking Zumunda
00:00:04.064 --> 00:00:06.001
That's not a real African country
00:00:06.002 --> 00:00:09.283
Can I at least get a little credit for a solid Coming to America reference
00:00:11.092 --> 00:00:13.034
This isn't you Sam
00:00:13.044 --> 00:00:15.681
No And who am I
00:00:16.084 --> 00:00:19.001
You're this girl
00:00:19.002 --> 00:00:20.058
Perceptive
00:00:20.068 --> 00:00:23.038
Who likes to argue with me about every fucking thing
00:00:23.048 --> 00:00:25.098
And I hate it because we both know you're smarter than me
00:00:26.998 --> 00:00:28.026
Your favorite director is Bergman
00:00:28.036 --> 00:00:30.042
but you tell people it's Spike Lee
00:00:30.052 --> 00:00:32.009
You love bebop but you've got a thing for Taylor Swift
00:00:33.000 --> 00:00:34.094
I know because my Mac picks up your Mac's library
00:00:35.999 --> 00:00:35.078
I was so careful
00:00:35.088 --> 00:00:38.046
You like to watch me when you think I'm sleeping
00:00:38.056 --> 00:00:40.026
and trace the outlines of my face
00:00:40.036 --> 00:00:41.078
We're ready to go man
00:00:41.088 --> 00:00:43.769
You're more Banksy than Barack
00:00:43.088 --> 00:00:47.022
but you've been co opted as some sort of revolutionary leader or something
00:00:47.032 --> 00:00:48.007
But really
00:00:48.008 --> 00:00:50.042
You're an anarchist
00:00:50.052 --> 00:00:53.066
shit starter a beautiful filmmaker
00:00:53.076 --> 00:00:55.054
And beautiful
00:00:55.064 --> 00:00:56.721
in general
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Movie Summary
The lives of four black students at an Ivy League college.
