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We created this real world. So it virtually was like shooting
in a real environment, but it was actually content. The ability to shoot a 10-hour dawn,
a 12-hour dawn is extraordinary. To shoot any sequence where you say, "Oh, this world's not quite right.
Let's just move it a little bit, "let's just change this a little bit," it's mind-blowing what that tool is
in a real environment, but it was actually content. The ability to shoot a 10-hour dawn,
a 12-hour dawn is extraordinary. To shoot any sequence where you say, "Oh, this world's not quite right.
Let's just move it a little bit, "let's just change this a little bit," it's mind-blowing what that tool is
Full Transcript
00:00:01.000 --> 00:00:03.085
We created this real world.
00:00:03.169 --> 00:00:07.548
So it virtually was like shooting
in a real environment,
00:00:07.632 --> 00:00:09.999
but it was actually content.
00:00:09.175 --> 00:00:15.306
The ability to shoot a 10-hour dawn,
a 12-hour dawn is extraordinary.
00:00:15.973 --> 00:00:19.268
To shoot any sequence where you say,
00:00:19.352 --> 00:00:22.048
"Oh, this world's not quite right.
Let's just move it a little bit,
00:00:22.563 --> 00:00:24.357
"let's just change this a little bit,"
00:00:25.232 --> 00:00:27.902
it's mind-blowing what that tool is.
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Movie Summary
A behind the scenes look at the making of the Disney+ series "The Mandalorian."