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When I was coming up with a style
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FPS: First Person Shooter

When I was coming up with a style, I wanted something that was differentfrom what you...

When I was coming up with a style, I wanted something that was different
from what you generally saw in video games, at the time, which was
pretty clean, bright colors and I wanted something dark and grungy

Full Transcript

00:00:01.000 --> 00:00:03.253
When I was coming up with a style,
00:00:03.378 --> 00:00:07.632
I wanted something that was different from what you generally saw in video games,
00:00:07.715 --> 00:00:10.076
at the time, which was pretty clean, bright colors
00:00:10.844 --> 00:00:13.972
and I wanted something dark and grungy.
Duration
15 seconds
Views
33
Timestamp in Movie
00:39:53
Uploaded
Apr 16, 2025
Genres
documentary, action
Production
CreatorVC

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Movie Summary

A documentary about first-person shooter video games.
That was the grunge era: music, the clothes, everything. - FPS: First Person Shooter 00:07
That was the grunge era: music, the clothes, everything.
I want to hear the monsters, not just hear the doors. I want to hear them looking for us. - FPS: First Person Shooter 00:06
I want to hear the monsters, not just hear the doors. I want...
I want the player to be terrified. This is a dark game that needs to be suspense - FPS: First Person Shooter 00:13
I want the player to be terrified. This is a dark game that ...
You'd be going around the corner, and then you hear, like, some monster breathing or something, and you, - FPS: First Person Shooter 00:11
You'd be going around the corner, and then you hear, li...
So, when I was making E1M3, - FPS: First Person Shooter 00:20
So, when I was making E1M3,
Everything's dead all the way all the way back through the level. Everything's already been killed. - FPS: First Person Shooter 00:06
Everything's dead all the way all the way back through ...
So, it's like, 'How do I, like, terrify the player right then?' - FPS: First Person Shooter 00:15
So, it's like, 'How do I, like, terrify the player...
For Doom, what was really critical is we could change the lighting dynamically. - FPS: First Person Shooter 00:06
For Doom, what was really critical is we could change the li...
So, all of the things that people still resonate with, like the flickering lights going on, - FPS: First Person Shooter 00:08
So, all of the things that people still resonate with, like ...
I thought, 'Why don't I hide a bunch of demons in a room and turn the lights out - FPS: First Person Shooter 00:10
I thought, 'Why don't I hide a bunch of demons in ...
People played it, they were just like, 'What?' You know? - FPS: First Person Shooter 00:05
People played it, they were just like, 'What?' You...
You don't have to have a deep story to a game, - FPS: First Person Shooter 00:09
You don't have to have a deep story to a game,
Something messed up happened so, now as you're going through all the jump scares and crazy action, - FPS: First Person Shooter 00:14
Something messed up happened so, now as you're going th...
The environmental effects were great. Sometimes, you're in a brightly lit room and then, all of a sudden, - FPS: First Person Shooter 00:12
The environmental effects were great. Sometimes,...
Running around this massive sprawling, hellish environment - FPS: First Person Shooter 00:12
Running around this massive sprawling, hellish environment
Those were some of the moments in Doom that, you know, made people's guts clench and really made a difference. - FPS: First Person Shooter 00:07
Those were some of the moments in Doom that, you know, made ...
The boss level of the first episode, E1M8, - FPS: First Person Shooter 00:08
The boss level of the first episode, E1M8,
A lot of the things that I put into my levels were things to make you scared. - FPS: First Person Shooter 00:06
A lot of the things that I put into my levels were things to...
So, we're like, 'Let's make two bosses and make a baron of hell - FPS: First Person Shooter 00:23
So, we're like, 'Let's make two bosses and ma...
When you get to E2M8, - FPS: First Person Shooter 00:17
When you get to E2M8,