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And then this is a shoulder piece
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George A. Romero's Resident Evil

And then this isa shoulder piece that was for anexposed shoulder

And then this is
a shoulder piece that was for an
exposed shoulder

Full Transcript

00:00:01.000 --> 00:00:03.667
And then this is a shoulder piece
00:00:03.669 --> 00:00:06.092
that was for an exposed shoulder.
Duration
8 seconds
Views
44
Timestamp in Movie
00:41:20
Uploaded
Apr 01, 2025
Genres
documentary
Production
Key 13 Films,Point Five Films,Knights Of The Dead

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Movie Summary

A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.
It would be right here and then it would be revealed - George A. Romero's Resident Evil 00:07
It would be right here and then it would be revealed
George really wanted to take it to a different level, - George A. Romero's Resident Evil 00:10
George really wanted to take it to a different level,
- [Narrator] The heavy levels of blood and gore - George A. Romero's Resident Evil 00:10
- [Narrator] The heavy levels of blood and gore
Even still, the zombies had their own unique appearance - George A. Romero's Resident Evil 00:07
Even still, the zombies had their own unique appearance
Dried blood, torn clothing and patchy skin - George A. Romero's Resident Evil 00:15
Dried blood, torn clothing and patchy skin
They were using black as a dried blood. - George A. Romero's Resident Evil 00:06
They were using black as a dried blood.
And I said, "Hey, this is a zombie thing. - George A. Romero's Resident Evil 00:05
And I said, "Hey, this is a zombie thing.
Why don't we have blood?" - George A. Romero's Resident Evil 00:07
Why don't we have blood?"
They didn't want to emphasize red blood in the commercial, - George A. Romero's Resident Evil 00:07
They didn't want to emphasize red blood in the commerci...
It was more like we've been in the grave a while. - George A. Romero's Resident Evil 00:05
It was more like we've been in the grave a while.
That's why the blood would pool in our fingers - George A. Romero's Resident Evil 00:06
That's why the blood would pool in our fingers
- [Narrator] The scale of the commercial led the production - George A. Romero's Resident Evil 00:06
- [Narrator] The scale of the commercial led the production
Japanese press were brought to the LA set - George A. Romero's Resident Evil 00:07
Japanese press were brought to the LA set
Perhaps due to Brad Renfro's contract restrictions, - George A. Romero's Resident Evil 00:11
Perhaps due to Brad Renfro's contract restrictions,
- Capcom flew me over to Hollywood - George A. Romero's Resident Evil 00:14
- Capcom flew me over to Hollywood
We go over to Screaming Mad George, big makeup artist. - George A. Romero's Resident Evil 00:06
We go over to Screaming Mad George, big makeup artist.
He worked on Carpenter movies, whatever, - George A. Romero's Resident Evil 00:07
He worked on Carpenter movies, whatever,
They made a 15 second spot and a 30 second spot - George A. Romero's Resident Evil 00:08
They made a 15 second spot and a 30 second spot
And I asked George that on the set, - George A. Romero's Resident Evil 00:16
And I asked George that on the set,
So it was a who's who of Hollywood - George A. Romero's Resident Evil 00:06
So it was a who's who of Hollywood