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Dried blood, torn clothing and patchy skin
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George A. Romero's Resident Evil

Dried blood, tornclothing and patchy skin were still visually impressive, invoking the...

Dried blood, torn
clothing and patchy skin were still visually impressive, invoking the work of Tom Savini and Greg Nicotero's work
on "Day of the Dead." - I'm sitting in
the makeup chair and they couldn't show blood

Full Transcript

00:00:01.000 --> 00:00:03.668
Dried blood, torn clothing and patchy skin
00:00:03.669 --> 00:00:05.378
were still visually impressive,
00:00:05.379 --> 00:00:07.214
invoking the work of Tom Savini
00:00:07.215 --> 00:00:10.342
and Greg Nicotero's work on "Day of the Dead."
00:00:10.343 --> 00:00:11.551
- I'm sitting in the makeup chair
00:00:11.552 --> 00:00:14.304
and they couldn't show blood.
Duration
15 seconds
Views
36
Timestamp in Movie
00:41:53
Uploaded
Feb 13, 2025
Genres
documentary
Production
Key 13 Films,Point Five Films,Knights Of The Dead

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Movie Summary

A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.
They were using black as a dried blood. - George A. Romero's Resident Evil 00:06
They were using black as a dried blood.
And I said, "Hey, this is a zombie thing. - George A. Romero's Resident Evil 00:05
And I said, "Hey, this is a zombie thing.
Why don't we have blood?" - George A. Romero's Resident Evil 00:07
Why don't we have blood?"
They didn't want to emphasize red blood in the commercial, - George A. Romero's Resident Evil 00:07
They didn't want to emphasize red blood in the commerci...
It was more like we've been in the grave a while. - George A. Romero's Resident Evil 00:05
It was more like we've been in the grave a while.
That's why the blood would pool in our fingers - George A. Romero's Resident Evil 00:06
That's why the blood would pool in our fingers
- [Narrator] The scale of the commercial led the production - George A. Romero's Resident Evil 00:06
- [Narrator] The scale of the commercial led the production
Japanese press were brought to the LA set - George A. Romero's Resident Evil 00:07
Japanese press were brought to the LA set
Perhaps due to Brad Renfro's contract restrictions, - George A. Romero's Resident Evil 00:11
Perhaps due to Brad Renfro's contract restrictions,
- Capcom flew me over to Hollywood - George A. Romero's Resident Evil 00:14
- Capcom flew me over to Hollywood
We go over to Screaming Mad George, big makeup artist. - George A. Romero's Resident Evil 00:06
We go over to Screaming Mad George, big makeup artist.
He worked on Carpenter movies, whatever, - George A. Romero's Resident Evil 00:07
He worked on Carpenter movies, whatever,
They made a 15 second spot and a 30 second spot - George A. Romero's Resident Evil 00:08
They made a 15 second spot and a 30 second spot
And I asked George that on the set, - George A. Romero's Resident Evil 00:16
And I asked George that on the set,
So it was a who's who of Hollywood - George A. Romero's Resident Evil 00:06
So it was a who's who of Hollywood
Matt Rose, who did "Hellboy" - George A. Romero's Resident Evil 00:11
Matt Rose, who did "Hellboy"
The KNB guys were there to see George. - George A. Romero's Resident Evil 00:05
The KNB guys were there to see George.
As someone who knows every one of these makeup artists, - George A. Romero's Resident Evil 00:10
As someone who knows every one of these makeup artists,
He screened it for quite a few employees - George A. Romero's Resident Evil 00:12
He screened it for quite a few employees
There was a 15 second, there was like a 30 second, - George A. Romero's Resident Evil 00:06
There was a 15 second, there was like a 30 second,