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Angie:
Is that the Godfather? Mobster:
Yeah, he wants to watch personally. You see, the olive oil those strikers ain't movin' comes from The Godfather's own factory. Angie:
Jesus Christ! Mobster:
What's that? Angie:
Blacks. That's my ace in the hole. Blacks! They work for me. Like dogs they work. Those bastards don't want to load the Father's oil, I'm gonna bring in my blacks to move it. Blacks man, Blacks! Pretty sharp, huh? [gets up to address the strikers as a tarantella underscore plays] Angie:
Everyone goes back to work today! Right? This is Angelo Corleone talkin'! We don't recognize unions on this dock! All we recognize is men who wanna work! There's the boxes to load, There's the pavement, There's the ship. There's no union here! We don't need no commies and Jews here. So let's go, huh? What do you say men? Men:
[in rythm with the underscore]
Fuck you! [The Godfather's car drives off] Angie:
What happened? Why'd the Godfather leave? Mobster:
The Godfather's very strict about this. He don't want no niggers touching his olive oil. You shoulda known that
Is that the Godfather? Mobster:
Yeah, he wants to watch personally. You see, the olive oil those strikers ain't movin' comes from The Godfather's own factory. Angie:
Jesus Christ! Mobster:
What's that? Angie:
Blacks. That's my ace in the hole. Blacks! They work for me. Like dogs they work. Those bastards don't want to load the Father's oil, I'm gonna bring in my blacks to move it. Blacks man, Blacks! Pretty sharp, huh? [gets up to address the strikers as a tarantella underscore plays] Angie:
Everyone goes back to work today! Right? This is Angelo Corleone talkin'! We don't recognize unions on this dock! All we recognize is men who wanna work! There's the boxes to load, There's the pavement, There's the ship. There's no union here! We don't need no commies and Jews here. So let's go, huh? What do you say men? Men:
[in rythm with the underscore]
Fuck you! [The Godfather's car drives off] Angie:
What happened? Why'd the Godfather leave? Mobster:
The Godfather's very strict about this. He don't want no niggers touching his olive oil. You shoulda known that
Full Transcript
00:00:03.000 --> 00:00:05.998
Is that the godfather?
00:00:05.135 --> 00:00:08.136
Yeah. He wants
to watch personally.
00:00:08.138 --> 00:00:11.139
You see, the olive oil when
those strikers ain't movin',
00:00:11.141 --> 00:00:14.142
comes from the godfather's
own factory.
00:00:14.144 --> 00:00:16.645
Jesus Christ!
00:00:16.647 --> 00:00:19.147
What's that?
00:00:19.149 --> 00:00:23.153
That's my ace in the hole.
Blacks. They work for me.
Like dogs they work.
00:00:23.654 --> 00:00:26.657
Those bastards don't
want to load the father's oil,
00:00:26.774 --> 00:00:29.777
I'm gonna bring in
my blacks to move it.
00:00:31.912 --> 00:00:34.414
Blacks, man. Blacks.
00:00:34.531 --> 00:00:36.784
Pretty sharp, huh?
00:00:43.791 --> 00:00:46.293
Everyone goes
back to work today.
00:00:46.543 --> 00:00:49.546
Right? This is
Angelo Colioni talkin'.
00:00:49.093 --> 00:00:54.999
We don't recognize unions
on this dock.
00:00:54.002 --> 00:00:58.687
All we recognize
is men who wanna work.
00:00:58.689 --> 00:01:02.019
There's the boxes to load.
There's the pavement.
00:01:02.192 --> 00:01:06.313
There's the ship.
There's no union here.
00:01:06.446 --> 00:01:09.999
We don't need
no commies and Jews here.
00:01:09.007 --> 00:01:12.703
So let's go, huh?
What do you say, men?
00:01:12.999 --> 00:01:15.999
Fuck you!
00:01:15.572 --> 00:01:18.003
Try me.
00:01:19.999 --> 00:01:23.003
What happened?
Why'd the godfather leave?
00:01:23.998 --> 00:01:26.003
The godfather's
very strict about this.
00:01:26.998 --> 00:01:29.999
He don't want no niggers
touching his olive oil.
00:01:29.586 --> 00:01:32.999
You should've known that.
00:02:11.999 --> 00:02:15.001
Well, here comes phase two,
Angelo Colioni.
00:02:15.001 --> 00:02:18.999
Hey, rosa,
you're sicilian, right?
00:02:22.001 --> 00:02:25.001
I'm a-ready, Angelo.
Any time you say.
00:02:29.996 --> 00:02:33.006
Such a nice bed in here,
and where does he sleep?
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Movie Summary
An underground cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his art.