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In the collaborative arts or virtually all arts
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Hideo Kojima: Connecting Worlds

In the collaborativearts or virtually all arts, there's usually one voice ultimately

In the collaborative
arts or virtually all arts, there's usually one voice ultimately

Full Transcript

00:00:01.000 --> 00:00:04.541
In the collaborative arts or virtually all arts,
00:00:04.625 --> 00:00:07.791
there's usually one voice ultimately.
Duration
9 seconds
Views
36
Timestamp in Movie
00:19:55
Uploaded
Apr 22, 2025
Genres
documentary, biography
Production
filmworks,Kojima Productions,PlayStation Studios

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Movie Summary

A journey into the creative mind of the most iconic video game designer in the world, this visually captivating documentary gives a rare insight into Hideo Kojima's creative process as he launches his own independent studio.
The person who is that driving force has to do one very important thing - Hideo Kojima: Connecting Worlds 00:14
The person who is that driving force has to do one very impo...
There's a kind of a Darwinian battle that goes on in your mind, - Hideo Kojima: Connecting Worlds 00:08
There's a kind of a Darwinian battle that goes on in yo...
They keep coming back to you they won't let you go - Hideo Kojima: Connecting Worlds 00:06
They keep coming back to you they won't let you go
And you go from a very divergent, broad view of the work, - Hideo Kojima: Connecting Worlds 00:13
And you go from a very divergent, broad view of the work,
We need to make it visible at this bit too. - Hideo Kojima: Connecting Worlds 00:06
We need to make it visible at this bit too.
The extent that they can articulate that - Hideo Kojima: Connecting Worlds 00:08
The extent that they can articulate that
Then the work will be a comprehensive whole. - Hideo Kojima: Connecting Worlds 00:06
Then the work will be a comprehensive whole.
Being across every single aspect is incredible to me, - Hideo Kojima: Connecting Worlds 00:09
Being across every single aspect is incredible to me,
- You can do this with double jumps. - Like he's flying. - Hideo Kojima: Connecting Worlds 00:06
- You can do this with double jumps. - Like he's flying...
With the Speed Skeleton, he's already jumping quite high. - Hideo Kojima: Connecting Worlds 00:06
With the Speed Skeleton, he's already jumping quite hig...
He can do it! - Hideo Kojima: Connecting Worlds 00:05
He can do it!
The reason the bike can't jump is because it gets stuck on the rocks. - Hideo Kojima: Connecting Worlds 00:06
The reason the bike can't jump is because it gets stuck...
So there are many cases where it prevents the bike from speeding up and jumping. - Hideo Kojima: Connecting Worlds 00:07
So there are many cases where it prevents the bike from spee...
When making a game, you have programming, art, storytelling, - Hideo Kojima: Connecting Worlds 00:11
When making a game, you have programming, art, storytelling,
There are many different fields to think about. - Hideo Kojima: Connecting Worlds 00:06
There are many different fields to think about.
You have to manage an awfully complicated mechanism. - Hideo Kojima: Connecting Worlds 00:07
You have to manage an awfully complicated mechanism.
Each minute, every day, we're faced with problems. - Hideo Kojima: Connecting Worlds 00:07
Each minute, every day, we're faced with problems.
So we constantly have to make snap decisions. - Hideo Kojima: Connecting Worlds 00:07
So we constantly have to make snap decisions.
If it's more than ten meters and enough to kill you, - Hideo Kojima: Connecting Worlds 00:11
If it's more than ten meters and enough to kill you,
I have on average 200 problems at once to do with details of the game - Hideo Kojima: Connecting Worlds 00:11
I have on average 200 problems at once to do with details of...