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Joan Staples:
Why shouldn't he give me a break? Didn't he turn me on? J. I. Coleridge:
Come on, you turned yourself on
Why shouldn't he give me a break? Didn't he turn me on? J. I. Coleridge:
Come on, you turned yourself on
Full Transcript
00:00:01.000 --> 00:00:03.143
Why shouldn't he give me a break Didn't he turn me on
00:00:04.278 --> 00:00:06.097
Come on you turn yourself on
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Movie Summary
A tough kid comes to a new high school and begins muscling his way into the drug scene. This is a typical morality play of the era, filled with a naive view of drugs, nihilistic beat poetry, and some incredible '50s slang.

