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Hitchcock/Truffaut

So, that's my conclusion

François Truffaut:
[Last lines]
In most of your films, you've shown characters divided by a secret that they refuse to reveal to one another. The atmosphere becomes more and more oppressive until finally, they decide to open up and thus liberate themselves. Does that ring true to you? Alfred Hitchcock:
It's true. Yes. François Truffaut:
In the end, you are mostly interested within the framework of the crime story, in filming moral dilemmas. Alfred Hitchcock:
Sure, that's true. François Truffaut:
So, that's my conclusion

Full Transcript

00:00:01.000 --> 00:00:02.217
Fine it's good
00:00:02.293 --> 00:00:04.091
But it's this extraordinary sense of loss
00:00:04.017 --> 00:00:06.548
that he's trying to fill that void
00:00:07.047 --> 00:00:10.802
Um maybe it reaches out to everyone because of that
00:00:12.052 --> 00:00:14.054
You know We could bring our own
00:00:14.138 --> 00:00:15.731
sense of melancholy or loss to it
00:00:16.515 --> 00:00:18.768
Judy Judy I'll tell you this
00:00:18.851 --> 00:00:22.105
These past few days have been the first happy days I've known in a year
00:00:22.188 --> 00:00:23.314
I know
00:00:23.606 --> 00:00:26.906
It's about desire but we all understand that
00:00:27.276 --> 00:00:28.949
We all understand the idea of desire
00:00:29.999 --> 00:00:30.742
That's part of what makes us us
Duration
34 seconds
Views
528
Timestamp in Movie
00:55:15
Uploaded
Mar 19, 2022
Genres
documentary
Production
Cohen Media Group,ARTE France Cinéma,Artline Films

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Movie Summary

Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.
Sense of melancholy or loss to it - Hitchcock/Truffaut 00:38
Sense of melancholy or loss to it
There is sometimes a tendency among filmmakers - Hitchcock/Truffaut 00:35
There is sometimes a tendency among filmmakers
I personally am interested in the audience - Hitchcock/Truffaut 00:33
I personally am interested in the audience
It doesn't matter where the film goes - Hitchcock/Truffaut 00:16
It doesn't matter where the film goes
It was a very interesting construction - Hitchcock/Truffaut 00:14
It was a very interesting construction
What I call the rising curve shape of a story - Hitchcock/Truffaut 00:20
What I call the rising curve shape of a story
The scene with John Gavin and Janet Leigh - Hitchcock/Truffaut 00:14
The scene with John Gavin and Janet Leigh
The scenes in the office are kind of all right you know - Hitchcock/Truffaut 00:37
The scenes in the office are kind of all right you know
It was necessary to make the robbery - Hitchcock/Truffaut 00:25
It was necessary to make the robbery
The scene with the policeman - Hitchcock/Truffaut 00:26
The scene with the policeman
She steals money - Hitchcock/Truffaut 00:35
She steals money
The very first screening of that film - Hitchcock/Truffaut 00:36
The very first screening of that film
Seven days 70 setups - Hitchcock/Truffaut 00:20
Seven days 70 setups
At that time as it is now we expect certain things - Hitchcock/Truffaut 00:36
At that time as it is now we expect certain things
People will say What a terrible thing to make - Hitchcock/Truffaut 00:32
People will say What a terrible thing to make
We better not have cigars you are right - Hitchcock/Truffaut 00:10
We better not have cigars you are right
Hitchcock and Truffaut - Hitchcock/Truffaut 00:35
Hitchcock and Truffaut
After the first edition of the book was published in 1966 - Hitchcock/Truffaut 00:34
After the first edition of the book was published in 1966
The Lodger was the first time I'd exercised any style - Hitchcock/Truffaut 00:06
The Lodger was the first time I'd exercised any style
The last completed project of Truffaut's life - Hitchcock/Truffaut 00:24
The last completed project of Truffaut's life