NOW HE SPONGES THE CLAYTO GIVE IT SOME TEXTURE SO IT LOOKS MORE LIKE REAL SKIN. THE ARTIST...
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NOW HE SPONGES THE CLAY
TO GIVE IT SOME TEXTURE SO IT LOOKS MORE LIKE REAL SKIN. THE ARTIST SNAPS HIS PICTURE
WITH A DIGITAL CAMERA AND THEN DOWNLOADS THE IMAGE
ONTO A COMPUTER. USING PHOTO-EDITING SOFTWARE, HE TRANSFERS SOME HAIR
TO THE SHOT OF THE CLAY MODEL. HE KNOWS FROM EVIDENCE
ON THE SCENE THAT THE MAN'S HAIR
WAS STYLED IN DREADLOCKS AND THAT HE HAD A BEARD
TO GIVE IT SOME TEXTURE SO IT LOOKS MORE LIKE REAL SKIN. THE ARTIST SNAPS HIS PICTURE
WITH A DIGITAL CAMERA AND THEN DOWNLOADS THE IMAGE
ONTO A COMPUTER. USING PHOTO-EDITING SOFTWARE, HE TRANSFERS SOME HAIR
TO THE SHOT OF THE CLAY MODEL. HE KNOWS FROM EVIDENCE
ON THE SCENE THAT THE MAN'S HAIR
WAS STYLED IN DREADLOCKS AND THAT HE HAD A BEARD
Full Transcript
00:00:01.000 --> 00:00:04.996
NOW HE SPONGES THE CLAY
TO GIVE IT SOME TEXTURE
00:00:04.002 --> 00:00:05.775
SO IT LOOKS MORE LIKE REAL SKIN.
00:00:09.885 --> 00:00:13.957
THE ARTIST SNAPS HIS PICTURE
WITH A DIGITAL CAMERA
00:00:13.959 --> 00:00:16.083
AND THEN DOWNLOADS THE IMAGE
ONTO A COMPUTER.
00:00:16.832 --> 00:00:19.169
USING PHOTO-EDITING SOFTWARE,
00:00:19.171 --> 00:00:22.241
HE TRANSFERS SOME HAIR
TO THE SHOT OF THE CLAY MODEL.
00:00:22.243 --> 00:00:24.512
HE KNOWS FROM EVIDENCE
ON THE SCENE
00:00:24.514 --> 00:00:26.085
THAT THE MAN'S HAIR
WAS STYLED IN DREADLOCKS
00:00:26.852 --> 00:00:28.887
AND THAT HE HAD A BEARD.
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Movie Summary
Television series that documents how various everyday products are made.
