Desk.- Get me homicide. Yes, sir. Homicide. This is Bob kraft speaking. I can't get...
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Desk.
- Get me homicide. Yes, sir. Homicide. This is Bob kraft speaking. I can't get through
to that Adams number. So? Clayborne's at that number,
and it's imperative that I speak to him right now. Well, sir, uh...
Just a second, sir. I think he's reporting
in on another line. I've been trying get you,
but your lines are busy. Hang up, and I'll call you back
right away
- Get me homicide. Yes, sir. Homicide. This is Bob kraft speaking. I can't get through
to that Adams number. So? Clayborne's at that number,
and it's imperative that I speak to him right now. Well, sir, uh...
Just a second, sir. I think he's reporting
in on another line. I've been trying get you,
but your lines are busy. Hang up, and I'll call you back
right away
Full Transcript
00:00:01.000 --> 00:00:02.584
- Desk.
- Get me homicide.
00:00:02.877 --> 00:00:04.001
Yes, sir.
00:00:04.067 --> 00:00:05.754
Homicide.
00:00:06.881 --> 00:00:08.257
This is Bob kraft speaking.
00:00:08.465 --> 00:00:10.065
I can't get through
to that Adams number.
00:00:10.342 --> 00:00:11.468
So?
00:00:11.677 --> 00:00:13.517
Clayborne's at that number,
and it's imperative
00:00:13.637 --> 00:00:15.513
that I speak to him right now.
00:00:15.806 --> 00:00:18.391
Well, sir, uh...
Just a second, sir.
00:00:18.684 --> 00:00:20.727
I think he's reporting
in on another line.
00:00:21.312 --> 00:00:23.272
I've been trying get you,
but your lines are busy.
00:00:23.439 --> 00:00:25.149
Hang up, and I'll call you back
right away.
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Movie Summary
Cemetery director Robert Kraft discovers that by arbitrarily changing the status of plots from empty to occupied on the planogram causes the death of the plots' owners.
