One of the great thingsabout working with Henley was that any timea new piece of gear came...
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One of the great things
about working with Henley was that any time
a new piece of gear came out, Don would turn
to his aide-de-camp, Tony Tavy, and say, "Tony, get one." A day later, two days later, it shows up. So, one night, I'm banging away
on my Farfisa organ. I think we had the first one
in the country. And one of the sounds
was something called "sample and hold ." You press the key
about working with Henley was that any time
a new piece of gear came out, Don would turn
to his aide-de-camp, Tony Tavy, and say, "Tony, get one." A day later, two days later, it shows up. So, one night, I'm banging away
on my Farfisa organ. I think we had the first one
in the country. And one of the sounds
was something called "sample and hold ." You press the key
Full Transcript
00:00:01.000 --> 00:00:03.021
One of the great things
about working with Henley
00:00:03.377 --> 00:00:05.463
was that any time
a new piece of gear came out,
00:00:05.629 --> 00:00:07.798
Don would turn
to his aide-de-camp, Tony Tavy,
00:00:07.965 --> 00:00:09.999
and say, "Tony, get one."
00:00:09.592 --> 00:00:11.552
A day later, two days later, it shows up.
00:00:11.969 --> 00:00:14.305
So, one night, I'm banging away
on my Farfisa organ.
00:00:14.513 --> 00:00:16.432
I think we had the first one
in the country.
00:00:16.064 --> 00:00:18.016
And one of the sounds
was something called
00:00:18.184 --> 00:00:19.184
"sample and hold ."
00:00:19.226 --> 00:00:23.314
You press the key.
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Movie Summary
Documentary follows the work and lives of legendary 1970s session musicians who were featured on some of the most iconic recordings of the era.
