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In The Mack, for example,
Dick Anthony Williams as Pretty Tony is as compelling as any figure
in a '30s gangster movie. He told me his improvisations
came out of wanting to portray an inner-city version
of Edward G. Robinson brought up-to-date with turns of phrases
he heard growing up. Nigga, next time you hear
grown folks talkin', shut the fuck up. Hear?
Dick Anthony Williams as Pretty Tony is as compelling as any figure
in a '30s gangster movie. He told me his improvisations
came out of wanting to portray an inner-city version
of Edward G. Robinson brought up-to-date with turns of phrases
he heard growing up. Nigga, next time you hear
grown folks talkin', shut the fuck up. Hear?
Full Transcript
00:00:01.000 --> 00:00:04.045
In The Mack, for example,
Dick Anthony Williams as Pretty Tony
00:00:04.129 --> 00:00:07.632
is as compelling as any figure
in a '30s gangster movie.
00:00:07.715 --> 00:00:10.802
He told me his improvisations
came out of wanting to portray
00:00:10.885 --> 00:00:13.138
an inner-city version
of Edward G. Robinson
00:00:13.221 --> 00:00:16.266
brought up-to-date with turns of phrases
he heard growing up.
00:00:17.725 --> 00:00:21.002
Nigga, next time you hear
grown folks talkin',
00:00:21.104 --> 00:00:22.647
shut the fuck up. Hear?
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Movie Summary
Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.