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Mike wanted Topol. Dino said
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Life After Flash

Mike wanted Topol.Dino said, "Listen. Who's got a coin?

Mike wanted Topol.
Dino said, "Listen. Who's got a coin?

Full Transcript

00:00:01.000 --> 00:00:03.386
Mike wanted Topol. Dino said,
00:00:03.419 --> 00:00:05.672
"Listen. Who's got a coin?
Duration
7 seconds
Views
17
Timestamp in Movie
00:15:41
Uploaded
Oct 29, 2025
Genres
documentary
Production
Spare Change Films

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Movie Summary

A look at the roller coaster life of Sam J. Jones since his role as Flash Gordon, his struggles and successes, and the aftermath of when he went up against one of the most powerful producers in Hollywood.
I've made some of my best decisions like this." - Life After Flash 00:10
I've made some of my best decisions like this."
But remember when Zarkov, they're sucking the memory out of his brain, - Life After Flash 00:12
But remember when Zarkov, they're sucking the memory ou...
That would have made a huge difference, I think, in the film. - Life After Flash 00:05
That would have made a huge difference, I think, in the film...
-No, no. I know. -That needed to be said. - Life After Flash 00:05
-No, no. I know. -That needed to be said.
Like, you know, in Die Hard 2they use - Life After Flash 00:07
Like, you know, in Die Hard 2they use
Like in the forest. For some reason, they thought it'd be way out, - Life After Flash 00:12
Like in the forest. For some reason, they thought it'd ...
"People will never talk to me again." - Life After Flash 00:07
"People will never talk to me again."
MAN: Neither of their two London studios was big enough - Life After Flash 00:09
MAN: Neither of their two London studios was big enough
Three times the size of any existing film stage. - Life After Flash 00:05
Three times the size of any existing film stage.
Triple Oscar winner Danilo Donati was appointed production designer - Life After Flash 00:09
Triple Oscar winner Danilo Donati was appointed production d...
MARTHA DE LAURENTIIS: So, the challenge of making a spectacle - Life After Flash 00:08
MARTHA DE LAURENTIIS: So, the challenge of making a spectacl...
ROY: The sets were elaborate, bigger. - Life After Flash 00:06
ROY: The sets were elaborate, bigger.
You know, it was one of the biggest movies at that time. - Life After Flash 00:05
You know, it was one of the biggest movies at that time.
It was a little overwhelming. Also, when I saw the quality of the work on the sets... - Life After Flash 00:06
It was a little overwhelming. Also, when I saw the quality o...
Danilo Donati who did the production design worked for Fellini, - Life After Flash 00:12
Danilo Donati who did the production design worked for Felli...
ROSS: One of the brilliant things about the film - Life After Flash 00:07
ROSS: One of the brilliant things about the film
Nothing was practical about the fashions and costumes - Life After Flash 00:08
Nothing was practical about the fashions and costumes
It was all meant to be just this blended literary landscape - Life After Flash 00:16
It was all meant to be just this blended literary landscape
There was a work room with these little Italian women - Life After Flash 00:10
There was a work room with these little Italian women
My wedding dress with black bugle beads, weighed 30 pounds. - Life After Flash 00:06
My wedding dress with black bugle beads, weighed 30 pounds.