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Frank Zito:
How come all your models are women? Anna D'Antoni:
Well, it's just something I'm interested in, as a woman. In fact, this is my fourth series. It's called "Women Form". Not very original is it? Frank Zito:
Well, it's not the title that matters that much. Anna D'Antoni:
No, I guess not. Frank Zito:
Do you get to keep them all? Anna D'Antoni:
I'm hoping to sell them. Frank Zito:
I wouldn't. I'd keep them forever. Anna D'Antoni:
But why? Part of my profession is to sell photographs. It's not all for art's sake you know. Frank Zito:
I know, but why do you take pictures of women this way? Anna D'Antoni:
I like to make them look beautiful. Frank Zito:
No, I think it's to preserve them. You see, the beauty is already in the model. Anna D'Antoni:
Frank, don't be silly. Listen, I'm the photographer, right? Frank Zito:
Right. Anna D'Antoni:
So, I should know what I'm doing. Frank Zito:
I know, but to me things change. People die. But in a picture or painting, they're yours forever. Anna D'Antoni:
There's no way you can possess someone forever. Even in a photograph, there's no way
How come all your models are women? Anna D'Antoni:
Well, it's just something I'm interested in, as a woman. In fact, this is my fourth series. It's called "Women Form". Not very original is it? Frank Zito:
Well, it's not the title that matters that much. Anna D'Antoni:
No, I guess not. Frank Zito:
Do you get to keep them all? Anna D'Antoni:
I'm hoping to sell them. Frank Zito:
I wouldn't. I'd keep them forever. Anna D'Antoni:
But why? Part of my profession is to sell photographs. It's not all for art's sake you know. Frank Zito:
I know, but why do you take pictures of women this way? Anna D'Antoni:
I like to make them look beautiful. Frank Zito:
No, I think it's to preserve them. You see, the beauty is already in the model. Anna D'Antoni:
Frank, don't be silly. Listen, I'm the photographer, right? Frank Zito:
Right. Anna D'Antoni:
So, I should know what I'm doing. Frank Zito:
I know, but to me things change. People die. But in a picture or painting, they're yours forever. Anna D'Antoni:
There's no way you can possess someone forever. Even in a photograph, there's no way
Full Transcript
00:00:01.000 --> 00:00:03.502
Listen how come all your models are women
00:00:03.586 --> 00:00:06.839
Well it's just something I'm interested in as a woman
00:00:06.922 --> 00:00:11.093
In fact this is my fourth series It's called Woman Four
00:00:11.176 --> 00:00:13.022
Not very original is it
00:00:13.304 --> 00:00:15.389
Well it's not the title that matters that much
00:00:15.472 --> 00:00:17.558
No No
00:00:17.641 --> 00:00:19.852
Listen do you get to uh keep them all
00:00:19.935 --> 00:00:21.645
I'm hoping to sell them
00:00:21.729 --> 00:00:25.441
I wouldn't I I'd keep 'em forever
00:00:25.524 --> 00:00:27.443
But why
00:00:27.526 --> 00:00:30.487
I mean part of my profession is to sell photographs
00:00:30.571 --> 00:00:33.449
It's not all for art's sake you know
00:00:33.532 --> 00:00:36.952
I know but why do you take pictures of women this way
00:00:39.121 --> 00:00:41.248
I like to make them look beautiful
00:00:41.332 --> 00:00:43.292
No I think it's more to preserve them
00:00:43.375 --> 00:00:45.878
You see the beauty is already in the model
00:00:45.961 --> 00:00:48.172
Frank don't be silly
00:00:48.255 --> 00:00:50.716
Listen I'm the photographer right Right
00:00:50.799 --> 00:00:53.802
So I should know what I'm doing shouldn't I
00:00:53.886 --> 00:00:58.223
I know but to me you know things change people die
00:00:58.307 --> 00:01:01.056
But in a painting or a picture they're yours forever
00:01:03.052 --> 00:01:06.999
There's no way you can possess someone forever
00:01:06.315 --> 00:01:08.999
even in a photograph
00:01:08.001 --> 00:01:10.011
There's no way
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Movie Summary
A psychopathic man goes on a killing and mutilation spree in New York City.
Actors
Frank Zito
Anna D'antoni
